1 00:00:02,370 --> 00:00:03,304 PREVIOUSLY ON LOVE AND 2 00:00:03,304 --> 00:00:04,505 HIP-HOP: ATLANTA: 3 00:00:04,505 --> 00:00:05,406 THE REUNION... 4 00:00:05,406 --> 00:00:06,840 YOU [bleep] TRIFLING, 5 00:00:06,840 --> 00:00:09,243 DISGUSTING SLUT MONKEY. 6 00:00:09,243 --> 00:00:09,910 ALL RIGHT-- 7 00:00:09,910 --> 00:00:11,011 NO, NO, NO, NO, NO, NO! 8 00:00:11,011 --> 00:00:11,812 YOU'RE GETTING EMOTIONAL 9 00:00:11,812 --> 00:00:12,513 ABOUT IT. 10 00:00:12,513 --> 00:00:14,215 YOU STILL CARE A LOT. 11 00:00:14,215 --> 00:00:15,383 I'M GONNA BE HONEST WITH YOU. 12 00:00:15,383 --> 00:00:16,584 SOMETIMES SHE WASN'T THERE. 13 00:00:16,584 --> 00:00:17,551 I'M NOT A GOOD GUY? 14 00:00:17,551 --> 00:00:18,452 YOU'RE ONLY GREAT WHEN IT 15 00:00:18,452 --> 00:00:19,620 COME DOWN TO BUSINESS AND MONEY, 16 00:00:19,620 --> 00:00:20,454 AND YOUR BEEFCAKE IS GREAT, 17 00:00:20,454 --> 00:00:21,355 BUT THAT'S IT. 18 00:00:21,355 --> 00:00:22,356 I CAN POP OUT, 'CAUSE I WILL 19 00:00:22,356 --> 00:00:23,157 JUMP OUT. 20 00:00:23,157 --> 00:00:24,158 JUMP THEN, BITCH. 21 00:00:24,158 --> 00:00:25,159 IF IT DOESN'T WORK OUT WITH 22 00:00:25,159 --> 00:00:27,027 STEVIE, I GOT [bleep] AROUND. 23 00:00:27,027 --> 00:00:28,862 SHE'S A YOUNG GIRL, AND HE'S 24 00:00:28,862 --> 00:00:30,698 [bleep] HER MIND UP. 25 00:00:30,698 --> 00:00:32,300 AND TONIGHT ON THE CONCLUSION 26 00:00:32,300 --> 00:00:33,867 OF LOVE AND HIP-HOP: ATLANTA: 27 00:00:33,867 --> 00:00:35,369 THE REUNION... 28 00:00:35,369 --> 00:00:36,304 WHAT KIND OF HUSBAND TELLS HIS 29 00:00:36,304 --> 00:00:37,971 WIFE TO HAVE AN ABORTION? 30 00:00:37,971 --> 00:00:39,707 WHAT ARE YOU LAUGHING AT? 31 00:00:39,707 --> 00:00:40,608 RATCHET DIRTY 32 00:00:40,608 --> 00:00:41,575 [bleep] BITCHES. 33 00:00:41,575 --> 00:00:42,476 [audience jeering] 34 00:00:42,476 --> 00:00:43,244 ALL RIGHT. 35 00:00:43,244 --> 00:00:44,812 WHERE YOU GOING, NIKKO? 36 00:00:44,812 --> 00:00:46,013 WERE YOU CHEATING ON ERICA 37 00:00:46,013 --> 00:00:46,914 AFTER YOU GUYS GOT ENGAGED? 38 00:00:46,914 --> 00:00:47,581 NO. 39 00:00:47,581 --> 00:00:48,249 THE TRUTH WILL SPEAK 40 00:00:48,249 --> 00:00:49,317 FOR ITSELF. 41 00:00:49,317 --> 00:00:50,284 I WANT YOU TO UNDERSTAND 42 00:00:50,284 --> 00:00:51,018 AND HEAR WHAT THE [bleep] 43 00:00:51,018 --> 00:00:51,685 I'M SAYING. 44 00:00:51,685 --> 00:00:52,353 ALL RIGHT. 45 00:00:52,353 --> 00:00:53,020 HOLD UP. 46 00:00:53,020 --> 00:00:53,854 I GOT A TEXT RIGHT HERE THAT YOU 47 00:00:53,854 --> 00:00:55,022 JUST SENT ME RIGHT NOW, THOUGH. 48 00:00:55,022 --> 00:00:55,756 WHAT'D SHE SAY? 49 00:00:55,756 --> 00:00:56,624 LET'S GET TO THE BOTTOM OF THIS 50 00:00:56,624 --> 00:00:57,291 ONCE AND FOR ALL. 51 00:00:57,291 --> 00:00:58,259 OH, MY GOD. 52 00:00:58,259 --> 00:00:59,393 BREAST LIFT, BITCH. 53 00:00:59,393 --> 00:01:00,894 FIX YOUR FACE, BITCH. 54 00:01:00,894 --> 00:01:01,829 SO THEN THAT ANSWERS 55 00:01:01,829 --> 00:01:02,730 THE QUESTION ON WHY I TALKED 56 00:01:02,730 --> 00:01:03,864 TO A LAWYER. 57 00:01:03,864 --> 00:01:04,698 ARE YOU MOVING FORWARD 58 00:01:04,698 --> 00:01:05,433 WITH THIS? 59 00:01:05,433 --> 00:01:06,167 HERE WE GO. 60 00:01:06,167 --> 00:01:07,034 TALK TO ME. 61 00:01:13,374 --> 00:01:14,808 [cheers and applause] 62 00:01:14,808 --> 00:01:15,976 GIVE IT UP FOR YOUR HOST AND 63 00:01:15,976 --> 00:01:17,511 EXECUTIVE PRODUCER 64 00:01:17,511 --> 00:01:19,380 MONA SCOTT YOUNG! 65 00:01:19,380 --> 00:01:22,383 [cheers and applause] 66 00:01:23,817 --> 00:01:25,052 GIVE IT UP FOR ZO HARRIS 67 00:01:25,052 --> 00:01:26,320 AND THE REUNION SHOW BAND, 68 00:01:26,320 --> 00:01:27,155 Y'ALL. 69 00:01:27,155 --> 00:01:29,923 [cheers and applause] 70 00:01:29,923 --> 00:01:31,492 WELCOME BACK TO PART TWO OF 71 00:01:31,492 --> 00:01:32,593 LOVE AND HIP-HOP: ATLANTA: 72 00:01:32,593 --> 00:01:33,994 THE REUNION. 73 00:01:33,994 --> 00:01:35,863 PART ONE STARTED OFF WITH 74 00:01:35,863 --> 00:01:37,165 A BANG. 75 00:01:37,165 --> 00:01:38,299 I CAN'T EVEN IMAGINE WHAT PART 76 00:01:38,299 --> 00:01:39,867 TWO HOLDS FOR US. 77 00:01:39,867 --> 00:01:41,535 BUT I AM SITTING HERE WITH KIRK 78 00:01:41,535 --> 00:01:42,970 AND RASHEEDA. 79 00:01:42,970 --> 00:01:44,405 WELL, WE LEARNED EARLY ON THIS 80 00:01:44,405 --> 00:01:45,439 SEASON THAT RASHEEDA WAS 81 00:01:45,439 --> 00:01:47,308 EXPECTING, BUT WHAT WE DIDN'T 82 00:01:47,308 --> 00:01:49,443 EXPECT WAS KIRK'S REACTION 83 00:01:49,443 --> 00:01:50,678 TO THE PREGNANCY. 84 00:01:50,678 --> 00:01:53,414 LET'S TAKE A LOOK. 85 00:01:53,414 --> 00:01:54,382 I'M PREGNANT. 86 00:01:54,382 --> 00:01:55,549 I HAVE MILLION OTHER THINGS 87 00:01:55,549 --> 00:01:56,484 ON MY MIND LIKE, 88 00:01:56,484 --> 00:01:57,518 "THIS IS NOT JOY. 89 00:01:57,518 --> 00:01:58,319 THIS IS NOT PLEASURE. 90 00:01:58,319 --> 00:01:59,720 THIS IS--THIS IS A SETBACK 91 00:01:59,720 --> 00:02:00,521 TO ME." 92 00:02:00,521 --> 00:02:01,755 I'VE BEEN TAKING IT OUT. 93 00:02:01,755 --> 00:02:03,056 MAN, TAKING OUT WAS IN 94 00:02:03,056 --> 00:02:03,957 THE '80s. 95 00:02:03,957 --> 00:02:04,825 LET'S TOAST TO THE PULL-OUT 96 00:02:04,825 --> 00:02:05,926 ASSASSIN, KIRK FROST. 97 00:02:05,926 --> 00:02:07,261 [both laugh] 98 00:02:07,261 --> 00:02:08,496 YOU BASICALLY TRYING TO SAY 99 00:02:08,496 --> 00:02:10,498 TO ME, "YOU NEED TO GET RID 100 00:02:10,498 --> 00:02:11,199 OF THE BABY." 101 00:02:11,199 --> 00:02:11,832 YEAH, YOU NEED TO GET 102 00:02:11,832 --> 00:02:12,500 AN ABORTION. 103 00:02:12,500 --> 00:02:13,301 AND YOU'RE MAKING ME THINK 104 00:02:13,301 --> 00:02:14,001 THERE'S SOMETHING WRONG 105 00:02:14,001 --> 00:02:14,668 WITH YOU. 106 00:02:14,668 --> 00:02:15,436 WELL, I SAID IT. 107 00:02:15,436 --> 00:02:16,237 I THINK YOU NEED TO LEAVE. 108 00:02:16,237 --> 00:02:18,672 THAT'S WHAT I THINK. 109 00:02:18,672 --> 00:02:19,740 NO AUDIENCE REACTION ON 110 00:02:19,740 --> 00:02:20,874 THAT ONE. 111 00:02:20,874 --> 00:02:22,210 THEY'RE STUNNED. 112 00:02:22,210 --> 00:02:22,943 I MEAN... 113 00:02:22,943 --> 00:02:23,777 WHAT KIND OF A HUSBAND TELLS 114 00:02:23,777 --> 00:02:26,580 HIS WIFE TO HAVE AN ABORTION? 115 00:02:26,580 --> 00:02:27,815 IT WAS THE TIMING. 116 00:02:27,815 --> 00:02:29,850 IT WAS--RASHEEDA WAS ON 117 00:02:29,850 --> 00:02:30,684 THE ROAD. 118 00:02:30,684 --> 00:02:31,619 RASHEEDA WAS WORKING ON 119 00:02:31,619 --> 00:02:32,553 THE MUSIC. 120 00:02:32,553 --> 00:02:34,455 MY SON WAS GOING TO TRIAL. 121 00:02:34,455 --> 00:02:35,856 I WAS--IT-- 122 00:02:35,856 --> 00:02:36,690 I HEAR YOU, BUT YOU DO 123 00:02:36,690 --> 00:02:37,591 REALIZE IT TAKES TWO TO 124 00:02:37,591 --> 00:02:38,259 GET PREGNANT. 125 00:02:38,259 --> 00:02:39,293 I MEAN, DID YOU REALLY THINK, 126 00:02:39,293 --> 00:02:41,462 AS A GROWN MAN, THAT PULLING OUT 127 00:02:41,462 --> 00:02:43,464 WAS AN ACCEPTABLE FORM OF 128 00:02:43,464 --> 00:02:44,131 BIRTH CONTROL? 129 00:02:44,131 --> 00:02:44,965 I DEFINITELY DID. 130 00:02:44,965 --> 00:02:45,633 YEAH, I THOUGHT I-- 131 00:02:45,633 --> 00:02:47,335 OKAY, THAT'S CRAZY. 132 00:02:47,335 --> 00:02:48,236 THAT'S WHAT I'M TALKING ABOUT. 133 00:02:48,236 --> 00:02:48,869 IT'S CRAZY. 134 00:02:48,869 --> 00:02:50,571 NUMBER ONE, FOR YOU TO SIT THERE 135 00:02:50,571 --> 00:02:52,573 AS MY HUSBAND AND JUST BE LIKE, 136 00:02:52,573 --> 00:02:54,575 "IT'S BAD TIMING," LIKE, THAT 137 00:02:54,575 --> 00:02:55,976 [bleep], IT'S REALLY, REALLY 138 00:02:55,976 --> 00:02:57,044 HURTFUL 'CAUSE AT THE END OF 139 00:02:57,044 --> 00:02:58,111 THE DAY, IT'S LIKE, "COME ON. 140 00:02:58,111 --> 00:02:59,146 THIS IS A BLESSING." 141 00:02:59,146 --> 00:03:00,281 AND YOU SHOULD BE HAPPY 142 00:03:00,281 --> 00:03:01,882 REGARDLESS IF YOU FEEL "REALLY, 143 00:03:01,882 --> 00:03:03,116 REALLY GREAT ABOUT IT AT THAT 144 00:03:03,116 --> 00:03:03,984 VERY MOMENT." 145 00:03:03,984 --> 00:03:04,952 IT'S LIKE [bleep] THINGS DON'T 146 00:03:04,952 --> 00:03:06,254 ALWAYS FALL INTO PLACE LIKE 147 00:03:06,254 --> 00:03:07,020 YOU WANT THEM TO, BUT IN 148 00:03:07,020 --> 00:03:08,889 A MARRIAGE, YOU DEAL, AND YOU 149 00:03:08,889 --> 00:03:10,358 COMPROMISE WITH IT. 150 00:03:10,358 --> 00:03:11,058 [applause] 151 00:03:11,058 --> 00:03:12,593 OKAY, LISTEN. 152 00:03:12,593 --> 00:03:14,262 MIDLIFE CRISIS OR NOT, KIRK'S 153 00:03:14,262 --> 00:03:15,629 BEHAVIOR CERTAINLY CREATED 154 00:03:15,629 --> 00:03:17,064 A REAL LIFE CRISIS IN 155 00:03:17,064 --> 00:03:18,466 THEIR MARRIAGE. 156 00:03:18,466 --> 00:03:20,434 LET'S WATCH THE TAPE. 157 00:03:20,434 --> 00:03:21,602 I WANT TO GO BACK TO THINGS 158 00:03:21,602 --> 00:03:23,304 I DID WHEN I WAS 21. 159 00:03:23,304 --> 00:03:24,705 THAT'S JUST WHAT'S ON MY MIND: 160 00:03:24,705 --> 00:03:26,274 "JUST DO WHAT'S GONNA MAKE 161 00:03:26,274 --> 00:03:27,475 KIRK HAPPY." 162 00:03:27,475 --> 00:03:28,141 HOW FAR YOU WANT TO GO 163 00:03:28,141 --> 00:03:28,809 WITH THIS? 164 00:03:28,809 --> 00:03:29,510 I GOT A PASS. 165 00:03:29,510 --> 00:03:30,444 LIKE, I CAN LEAVE; I CAN DO 166 00:03:30,444 --> 00:03:31,279 MY THING. 167 00:03:31,279 --> 00:03:32,446 LET'S GET TO THE JACUZZI. 168 00:03:32,446 --> 00:03:33,747 LET'S HAVE SOME FUN. 169 00:03:33,747 --> 00:03:35,015 RIGHT NOW, THE BACHELOR LIFE, 170 00:03:35,015 --> 00:03:36,384 I'M REALLY FEELING IT. 171 00:03:36,384 --> 00:03:39,287 KIRK MOTHER[bleep] FROST. 172 00:03:39,287 --> 00:03:40,554 DOUBLE OR NOTHING. 173 00:03:40,554 --> 00:03:41,289 KIRK, YOU WENT FROM 174 00:03:41,289 --> 00:03:42,290 THE PULL-OUT ASSASSIN TO 175 00:03:42,290 --> 00:03:43,757 MY HERO LAST NIGHT. 176 00:03:43,757 --> 00:03:45,058 CHICKS IN THE JACUZZI. 177 00:03:45,058 --> 00:03:46,394 MAN, YOU'RE GOING HOME TO 178 00:03:46,394 --> 00:03:48,095 A TSUNAMI, EARTHQUAKE. 179 00:03:48,095 --> 00:03:49,297 YOU GOT ALL THE ELEMENTS, KIRK, 180 00:03:49,297 --> 00:03:52,300 FOR A REAL SITUATION. 181 00:03:52,300 --> 00:03:53,200 [audience jeers] 182 00:03:53,200 --> 00:03:54,034 KIRK, YOU'RE SITTING HERE 183 00:03:54,034 --> 00:03:54,702 LAUGHING. 184 00:03:54,702 --> 00:03:55,369 THERE'S NOTHING FUNNY 185 00:03:55,369 --> 00:03:56,036 ABOUT THAT. 186 00:03:56,036 --> 00:03:56,837 WHAT ARE YOU LAUGHING AT? 187 00:03:56,837 --> 00:03:58,038 ESPECIALLY SITTING RIGHT HERE 188 00:03:58,038 --> 00:03:58,706 IN RASHEEDA'S FACE. 189 00:03:58,706 --> 00:03:59,373 WELL, NO, IT'S NOT-- 190 00:03:59,373 --> 00:04:00,308 IT'S BAD ENOUGH THAT YOU DID 191 00:04:00,308 --> 00:04:01,108 IT WHEN SHE WASN'T AROUND, BUT 192 00:04:01,108 --> 00:04:01,975 NOW YOU'RE SITTING IN HER FACE. 193 00:04:01,975 --> 00:04:03,311 FIRST OF ALL, THAT SITUATION 194 00:04:03,311 --> 00:04:04,312 HAPPENED WHEN RASHEEDA--ME AND 195 00:04:04,312 --> 00:04:05,979 RASHEEDA HAVING MULTIPLE 196 00:04:05,979 --> 00:04:07,748 ARGUMENTS THAT Y'ALL DIDN'T 197 00:04:07,748 --> 00:04:08,949 COVER, AND THE ONES THAT YOU DID 198 00:04:08,949 --> 00:04:09,950 SEE, SHE WAS LIKE, 199 00:04:09,950 --> 00:04:10,751 "GET THE EFF OUT. 200 00:04:10,751 --> 00:04:11,719 GET THE [bleep] OUT. 201 00:04:11,719 --> 00:04:12,486 GET AWAY FROM ME. 202 00:04:12,486 --> 00:04:13,321 DO YOU." 203 00:04:13,321 --> 00:04:14,688 SO THAT WAS A PASS TO GO OUT 204 00:04:14,688 --> 00:04:15,623 AND CHEAT ON YOUR WIFE. 205 00:04:15,623 --> 00:04:16,324 DEFINITELY. 206 00:04:16,324 --> 00:04:16,957 NO. 207 00:04:16,957 --> 00:04:17,791 SHE SAID, "DO WHAT YOU WANT 208 00:04:17,791 --> 00:04:18,459 TO DO." 209 00:04:18,459 --> 00:04:19,126 REALLY? 210 00:04:19,126 --> 00:04:19,860 AND THAT'S WHAT YOU WANTED 211 00:04:19,860 --> 00:04:20,528 TO DO. 212 00:04:20,528 --> 00:04:21,329 IS THAT WHAT YOU'RE SAYING? 213 00:04:21,329 --> 00:04:22,095 THAT'S WHAT YOU WANTED TO DO? 214 00:04:22,095 --> 00:04:22,930 NO, THAT'S NOT WHAT I WANTED 215 00:04:22,930 --> 00:04:24,765 TO DO, BUT I FOUND MYSELF RIDING 216 00:04:24,765 --> 00:04:26,800 BIKES, HANGING WITH BENZINO, 217 00:04:26,800 --> 00:04:27,668 CLEARING MY MIND. 218 00:04:27,668 --> 00:04:29,136 IT KEPT ME FROM THINKING ABOUT 219 00:04:29,136 --> 00:04:30,471 THE NEGATIVE THINGS THAT WAS 220 00:04:30,471 --> 00:04:31,405 GOING ON IN MY LIFE. 221 00:04:31,405 --> 00:04:32,440 IT WAS A WAY FOR ME TO FREE 222 00:04:32,440 --> 00:04:33,374 MY MIND. 223 00:04:33,374 --> 00:04:34,174 ALL RIGHT, WELL, HOLD ON 224 00:04:34,174 --> 00:04:35,008 TO THAT THOUGHT, 'CAUSE, 225 00:04:35,008 --> 00:04:36,076 RASHEEDA, HOW HARD WAS IT FOR 226 00:04:36,076 --> 00:04:37,244 YOU TO WATCH THAT? 227 00:04:37,244 --> 00:04:38,011 REAL HARD. 228 00:04:38,011 --> 00:04:39,246 I MEAN, COME ON, LET'S BE REAL. 229 00:04:39,246 --> 00:04:40,147 LIKE, OKAY-- 230 00:04:40,147 --> 00:04:40,981 YOU GUYS HAVE BEEN TOGETHER 231 00:04:40,981 --> 00:04:41,682 HOW LONG? 232 00:04:41,682 --> 00:04:42,983 WE'VE BEEN TOGETHER 233 00:04:42,983 --> 00:04:44,352 17 1/2 YEARS. 234 00:04:44,352 --> 00:04:45,018 WOW. 235 00:04:45,018 --> 00:04:45,986 WHOO! 236 00:04:45,986 --> 00:04:46,654 WE'VE BEEN MARRIED 237 00:04:46,654 --> 00:04:47,355 FOR 13 YEARS. 238 00:04:47,355 --> 00:04:48,188 AND TO SEE ANOTHER WOMAN 239 00:04:48,188 --> 00:04:49,189 KISSING ON HIM AND TO SEE-- 240 00:04:49,189 --> 00:04:50,924 I MEAN, OF COURSE YOU FEEL-- 241 00:04:50,924 --> 00:04:53,060 I FELT DISGUSTED, DISRESPECTED, 242 00:04:53,060 --> 00:04:55,629 READY TO KILL HIS ASS, AND 243 00:04:55,629 --> 00:04:57,798 I JUST--EMBARRASED, AND THEN, 244 00:04:57,798 --> 00:04:58,899 YOU KNOW, I'M SITTING HERE 245 00:04:58,899 --> 00:04:59,867 TRYING TO BE LIKE, "OKAY, 246 00:04:59,867 --> 00:05:01,635 RASHEEDA, YOU KNOW, COMPOSE 247 00:05:01,635 --> 00:05:03,036 YOURSELF BECAUSE YOU PREGNANT 248 00:05:03,036 --> 00:05:03,804 AS HELL." 249 00:05:03,804 --> 00:05:04,805 AND I'M SITTING HERE THINKING 250 00:05:04,805 --> 00:05:06,139 THAT MY FRIEND, MY HUSBAND 251 00:05:06,139 --> 00:05:07,608 WOULDN'T EVEN GO OUT AND DO NO 252 00:05:07,608 --> 00:05:08,642 CRAZY [bleep] LIKE THAT, 253 00:05:08,642 --> 00:05:10,110 NUMBER ONE, BUT THEN IT'S LIKE, 254 00:05:10,110 --> 00:05:11,512 "DAMN, YOU CAN'T PUT [bleep] 255 00:05:11,512 --> 00:05:13,180 PAST NOBODY." 256 00:05:13,180 --> 00:05:14,114 YOU KNOW WHAT I'M SAYING? 257 00:05:14,114 --> 00:05:14,915 IT'S LIKE-- 258 00:05:14,915 --> 00:05:15,583 [cheers and applause] 259 00:05:15,583 --> 00:05:16,450 AND IT'S UNFORTUNATE THAT IT'S 260 00:05:16,450 --> 00:05:18,686 LIKE THAT, AND, I MEAN, I JUST 261 00:05:18,686 --> 00:05:20,187 LOOK AT IT LIKE, YOU KNOW, 262 00:05:20,187 --> 00:05:21,822 IF YOU FELT LIKE THE "DO YOU" 263 00:05:21,822 --> 00:05:23,391 WAS A PASS FOR YOU TO GO AND DO 264 00:05:23,391 --> 00:05:24,191 [bleep] LIKE YOU'RE 21 265 00:05:24,191 --> 00:05:25,393 WITH BENZINO-- 266 00:05:25,393 --> 00:05:26,794 YOU'RE GUILTY BY ASSOCIATION AS 267 00:05:26,794 --> 00:05:27,828 FAR AS I'M CONCERNED. 268 00:05:27,828 --> 00:05:28,896 I HAVE A QUESTION FOR YOU, 269 00:05:28,896 --> 00:05:31,264 BENZINO, BECAUSE YOU, YOU KNOW, 270 00:05:31,264 --> 00:05:32,566 LED HIM TO WATER OR, SHOULD I 271 00:05:32,566 --> 00:05:34,502 SAY, THE JACUZZI HOT TUB, 272 00:05:34,502 --> 00:05:35,403 YOU KNOW, AND I KNOW YOU'RE 273 00:05:35,403 --> 00:05:36,203 GONNA SAY, "WELL, I DIDN'T MAKE 274 00:05:36,203 --> 00:05:37,438 HIM DRINK IT," BUT HOW MUCH 275 00:05:37,438 --> 00:05:38,906 RESPONSIBILITY DO YOU TAKE FOR 276 00:05:38,906 --> 00:05:40,641 YOUR ROLE IN THIS SITUATION? 277 00:05:40,641 --> 00:05:42,042 YOU KNOW, WATCHING THE-- 278 00:05:42,042 --> 00:05:43,043 WATCHING THE EPISODE, YOU KNOW 279 00:05:43,043 --> 00:05:44,144 WHAT I'M SAYING, HURT ME. 280 00:05:44,144 --> 00:05:45,513 YOU KNOW, LIKE, WHEN I WATCHED 281 00:05:45,513 --> 00:05:46,580 RASHEEDA CRY IN THERE, I MEAN, 282 00:05:46,580 --> 00:05:47,314 IT DID. 283 00:05:47,314 --> 00:05:48,048 BUT AT THE END OF THE DAY, 284 00:05:48,048 --> 00:05:49,282 IT'S LIKE WHEN WE WENT UP THERE 285 00:05:49,282 --> 00:05:50,283 TO THE CABIN, I DIDN'T KNOW 286 00:05:50,283 --> 00:05:51,051 THERE WAS GONNA BE A BUNCH OF 287 00:05:51,051 --> 00:05:51,852 FEMALES IN THERE. 288 00:05:51,852 --> 00:05:53,153 BOBBY HAD FEMALES IN THERE. 289 00:05:53,153 --> 00:05:54,254 A BUNCH OF HOS. 290 00:05:54,254 --> 00:05:55,288 [audience jabbering] 291 00:05:55,288 --> 00:05:56,890 POPCORN HOS. 292 00:05:56,890 --> 00:05:58,692 RATCHET DIRTY [bleep] BITCHES. 293 00:05:58,692 --> 00:06:00,227 OKAY, OKAY. 294 00:06:00,227 --> 00:06:01,562 HOLLER. 295 00:06:01,562 --> 00:06:02,295 [chuckles] 296 00:06:02,295 --> 00:06:03,230 DO YOU FEEL IN SOME 297 00:06:03,230 --> 00:06:04,231 WAY RESPONSIBLE? 298 00:06:04,231 --> 00:06:04,998 YES. 299 00:06:04,998 --> 00:06:05,766 OKAY. 300 00:06:05,766 --> 00:06:06,700 ALL RIGHT, THAT'S GOOD. 301 00:06:06,700 --> 00:06:07,601 BUT ON A REALISTIC NOTE, 302 00:06:07,601 --> 00:06:09,937 IT'S REALLY NOT HIS FAULT. 303 00:06:09,937 --> 00:06:10,604 RIGHT. 304 00:06:10,604 --> 00:06:11,271 YOU KNOW? 305 00:06:11,271 --> 00:06:12,005 IT'S KIRK'S FAULT. 306 00:06:12,005 --> 00:06:12,840 I SAID IT WASN'T HIS FAULT. 307 00:06:12,840 --> 00:06:13,607 YOU KNOW WHAT I'M SAYING, 308 00:06:13,607 --> 00:06:15,308 BECAUSE REGARDLESS TO THE FACT 309 00:06:15,308 --> 00:06:17,310 OF WHATEVER THE CASE WAS, WHEN 310 00:06:17,310 --> 00:06:19,647 A HUSBAND AND A WIFE HAVE 311 00:06:19,647 --> 00:06:20,948 A BIG-TIME BLOWOUT IN THEIR 312 00:06:20,948 --> 00:06:22,450 RELATIONSHIP, WHICH PEOPLE DO 313 00:06:22,450 --> 00:06:23,584 ALL THE TIME--BUT YOU DON'T SIT 314 00:06:23,584 --> 00:06:25,285 THERE, AND YOU DON'T SAY, "OKAY, 315 00:06:25,285 --> 00:06:27,354 SHE SAID 'DO YOU,' SO I FINNA 316 00:06:27,354 --> 00:06:28,522 GO AND LAY AROUND WITH ANY 317 00:06:28,522 --> 00:06:29,957 RANDOM BITCH I SEE." 318 00:06:29,957 --> 00:06:31,024 AND THAT SHOW ME THAT YOU AIN'T 319 00:06:31,024 --> 00:06:31,859 ABOUT [bleep]. 320 00:06:31,859 --> 00:06:32,793 HOW DO YOU EXPLAIN THAT 321 00:06:32,793 --> 00:06:33,894 TO RASHEEDA? 322 00:06:33,894 --> 00:06:35,362 I TOLD RASHEEDA, "LISTEN, 323 00:06:35,362 --> 00:06:37,364 NOBODY'S LOOKING AT 324 00:06:37,364 --> 00:06:38,231 MY SITUATION." 325 00:06:38,231 --> 00:06:39,967 WHAT--WHAT IS YOUR SITUATION? 326 00:06:39,967 --> 00:06:41,034 LOOK, ME AND YOU ARE FRIENDS. 327 00:06:41,034 --> 00:06:42,035 WE GOT A FRIENDSHIP. 328 00:06:42,035 --> 00:06:43,236 I KNOW WE MARRIED, AND I KNOW 329 00:06:43,236 --> 00:06:43,971 WE WORK TOGETHER. 330 00:06:43,971 --> 00:06:44,772 WE GOT A FRIENDSHIP. 331 00:06:44,772 --> 00:06:46,173 IF I TELL YOU, "LOOK, I'M IN 332 00:06:46,173 --> 00:06:47,741 A LOST PLACE, AND I NEED YOUR 333 00:06:47,741 --> 00:06:49,342 SUPPORT"--AND I'M TELLING HER 334 00:06:49,342 --> 00:06:50,744 THIS LIKE, "YO, I'M FINDING 335 00:06:50,744 --> 00:06:52,480 MYSELF IN A WEIRD-ASS PLACE," 336 00:06:52,480 --> 00:06:54,247 AND I'M BEING HONEST ABOUT IT. 337 00:06:54,247 --> 00:06:55,248 SHE AIN'T GOT TIME. 338 00:06:55,248 --> 00:06:56,349 SHE GOT TO DO HER INTERVIEWS. 339 00:06:56,349 --> 00:06:57,250 SHE GOT TO GO ON THE ROAD. 340 00:06:57,250 --> 00:06:58,251 SHE GOT TO DO THIS; SHE GOT TO 341 00:06:58,251 --> 00:06:59,152 GO DO THAT. 342 00:06:59,152 --> 00:07:00,187 SO YOU'RE SAYING YOU NEEDED 343 00:07:00,187 --> 00:07:01,489 YOUR WIFE, AND SHE WASN'T THERE 344 00:07:01,489 --> 00:07:02,155 FOR YOU? 345 00:07:02,155 --> 00:07:03,023 AND SHE WASN'T REALLY THERE. 346 00:07:03,023 --> 00:07:03,957 AND THEN YOU WENT OUT AND GOT 347 00:07:03,957 --> 00:07:05,493 WITH THE NEXT ONE. 348 00:07:05,493 --> 00:07:06,527 CLASSIC STORY. 349 00:07:06,527 --> 00:07:07,628 [both talking at once] 350 00:07:07,628 --> 00:07:08,328 YOU THINK THAT ANSWERS 351 00:07:08,328 --> 00:07:09,096 THE QUESTION, THE PROBLEM. 352 00:07:09,096 --> 00:07:09,930 I'M NOT SAYING THAT-- 353 00:07:09,930 --> 00:07:10,598 THAT I WENT AND GOT WITH 354 00:07:10,598 --> 00:07:11,264 THE NEXT ONE. 355 00:07:11,264 --> 00:07:12,165 I'M JUST TELLING YOU THAT WAS 356 00:07:12,165 --> 00:07:13,233 ONE OF THE ISSUES. 357 00:07:13,233 --> 00:07:15,268 SO HOW WOULD YOU FEEL IF 358 00:07:15,268 --> 00:07:16,904 THE SHOE WAS ON THE OTHER FOOT? 359 00:07:16,904 --> 00:07:18,305 LET'S JUST PLAY THE GAME AND 360 00:07:18,305 --> 00:07:19,573 REVERSE IT AND SEE HOW YOU 361 00:07:19,573 --> 00:07:22,510 WOULD FEEL. 362 00:07:22,510 --> 00:07:23,410 I MEAN, WE PROBABLY WOULDN'T 363 00:07:23,410 --> 00:07:24,077 BE TOGETHER. 364 00:07:24,077 --> 00:07:24,812 OF COURSE WE WOULDN'T. 365 00:07:24,812 --> 00:07:25,713 SO THEN THAT ANSWERS 366 00:07:25,713 --> 00:07:26,747 THE QUESTION ON WHY I TALKED 367 00:07:26,747 --> 00:07:27,748 TO A LAWYER. 368 00:07:27,748 --> 00:07:29,683 all: OOH. 369 00:07:29,683 --> 00:07:30,618 ARE YOU MOVING FORWARD 370 00:07:30,618 --> 00:07:31,351 WITH THIS? 371 00:07:31,351 --> 00:07:32,586 I MEAN, IT'S NOT A FINALIZED 372 00:07:32,586 --> 00:07:34,522 SITUATION, BUT IT'S SOMETHING 373 00:07:34,522 --> 00:07:35,122 THAT I'M DEFINITELY-- 374 00:07:35,122 --> 00:07:35,923 YOU'RE CONSIDERING IT. 375 00:07:35,923 --> 00:07:36,890 THAT I'VE CONSIDERED. 376 00:07:36,890 --> 00:07:38,191 OKAY, THIS IS SOME--THIS IS 377 00:07:38,191 --> 00:07:39,927 SOME VERY REAL STUFF, AND WE 378 00:07:39,927 --> 00:07:41,294 ACTUALLY HAD A QUESTION THAT 379 00:07:41,294 --> 00:07:43,063 I WANTED TO ASK BECAUSE I KNOW 380 00:07:43,063 --> 00:07:44,064 THAT I'VE HEARD OVER AND 381 00:07:44,064 --> 00:07:45,132 OVER AGAIN. 382 00:07:45,132 --> 00:07:46,433 THE NAME IS "STELLA WILL NEVER 383 00:07:46,433 --> 00:07:47,968 LOSE HER GROOVE THING," BUT SHE 384 00:07:47,968 --> 00:07:49,369 WANTS TO KNOW WHETHER KIRK AND 385 00:07:49,369 --> 00:07:50,804 RASHEEDA WERE FAKING THIS WHOLE 386 00:07:50,804 --> 00:07:51,805 "HAVING PROBLEMS IN THEIR 387 00:07:51,805 --> 00:07:52,973 RELATIONSHIP THING" FOR 388 00:07:52,973 --> 00:07:54,542 THE SHOW, 'CAUSE THAT WAS 389 00:07:54,542 --> 00:07:55,876 SOMETHING THAT PEOPLE THOUGHT. 390 00:07:55,876 --> 00:07:56,777 YOU GUYS WERE JUST TRYING TO 391 00:07:56,777 --> 00:07:58,311 TURN IT UP FOR THE CAMERAS. 392 00:07:58,311 --> 00:07:59,547 SO I'M ASKING YOU RIGHT HERE 393 00:07:59,547 --> 00:08:01,081 ON THIS STAGE: WERE YOU GUYS 394 00:08:01,081 --> 00:08:02,049 FAKING THIS? 395 00:08:02,049 --> 00:08:03,016 YOU DON'T FAKE NOTHING 396 00:08:03,016 --> 00:08:03,684 LIKE THIS. 397 00:08:03,684 --> 00:08:05,619 I--I'M PREGNANT AS HELL, AND YOU 398 00:08:05,619 --> 00:08:06,954 DON'T FAKE THAT WHILE YOUR KIDS 399 00:08:06,954 --> 00:08:08,656 GODDAMN WATCHING. 400 00:08:08,656 --> 00:08:09,590 [bleep]. 401 00:08:09,590 --> 00:08:10,290 I'M--FOR ME-- 402 00:08:10,290 --> 00:08:11,725 [laughter] 403 00:08:11,725 --> 00:08:13,627 I MEAN, YEAH, I--I CLEARLY 404 00:08:13,627 --> 00:08:14,294 TOLD RASHEEDA-- 405 00:08:14,294 --> 00:08:15,328 I MEAN, [bleep], I'M SHOCKED. 406 00:08:15,328 --> 00:08:16,463 I WAS SHOCKED WHEN HE SAID HE 407 00:08:16,463 --> 00:08:17,565 DIDN'T WANT TO HAVE NO BABY. 408 00:08:17,565 --> 00:08:18,398 I'M LIKE, "WHAT THE HELL 409 00:08:18,398 --> 00:08:20,167 YOU MEAN?" 410 00:08:20,167 --> 00:08:21,935 I HAVE A 22-YEAR-OLD, 411 00:08:21,935 --> 00:08:22,903 21-YEAR-OLD. 412 00:08:22,903 --> 00:08:24,104 [audience jeering] 413 00:08:24,104 --> 00:08:25,338 OKAY, LET ME SAY THIS. 414 00:08:25,338 --> 00:08:27,775 I SAID SOME THINGS, BUT, YEAH, 415 00:08:27,775 --> 00:08:28,576 IT'S WRONG. 416 00:08:28,576 --> 00:08:30,043 I SAID I KNOW I'M WRONG. 417 00:08:30,043 --> 00:08:31,111 IS THIS THE MAN THAT YOU 418 00:08:31,111 --> 00:08:32,045 KNOW, THE MAN THAT YOU'VE BEEN 419 00:08:32,045 --> 00:08:33,080 WITH FOR 17 YEARS? 420 00:08:33,080 --> 00:08:34,114 NO. 421 00:08:34,114 --> 00:08:34,915 ALL RIGHT, WELL, THEN YOU 422 00:08:34,915 --> 00:08:36,483 SOMEBODY ELSE RIGHT NOW, KIRK. 423 00:08:36,483 --> 00:08:38,318 BUT LET ME ASK YOU A QUESTION. 424 00:08:38,318 --> 00:08:39,419 WHERE DOES THE RELATIONSHIP 425 00:08:39,419 --> 00:08:40,187 STAND RIGHT NOW? 426 00:08:40,187 --> 00:08:42,289 DO YOU FEEL LIKE KIRK IS SORRY, 427 00:08:42,289 --> 00:08:43,156 HE UNDERSTANDS HOW MUCH 428 00:08:43,156 --> 00:08:43,991 HE HURT YOU? 429 00:08:43,991 --> 00:08:46,960 I MEAN, HE'S BEEN TRYING TO 430 00:08:46,960 --> 00:08:50,297 TOTALLY BE THERE, BE AROUND, 431 00:08:50,297 --> 00:08:51,431 GET BACK INTO THE HOUSE THAT 432 00:08:51,431 --> 00:08:53,033 HE'S NOT IN. 433 00:08:53,033 --> 00:08:53,834 OH, YOU'RE NOT IN THE HOUSE 434 00:08:53,834 --> 00:08:54,501 RIGHT NOW? 435 00:08:54,501 --> 00:08:55,235 BACK INTO MY LIFE. 436 00:08:55,235 --> 00:08:55,903 NO? 437 00:08:55,903 --> 00:08:56,604 OKAY. 438 00:08:56,604 --> 00:08:57,237 WHERE ARE YOU AT, 439 00:08:57,237 --> 00:08:58,505 BENZINO'S CRIB? 440 00:08:58,505 --> 00:08:59,372 ALL RIGHT, JUST CHECKING. 441 00:08:59,372 --> 00:09:00,373 HE DEFINITELY DON'T NEED 442 00:09:00,373 --> 00:09:01,274 TO BE OVER THERE. 443 00:09:01,274 --> 00:09:02,610 MY MAIN CONCERN IS GETTING READY 444 00:09:02,610 --> 00:09:04,444 FOR THIS BABY, AND, YOU KNOW, 445 00:09:04,444 --> 00:09:05,613 WE'RE AT A LIGHTWEIGHT 446 00:09:05,613 --> 00:09:06,780 FRIENDSHIP LEVEL. 447 00:09:06,780 --> 00:09:08,616 ANY TYPE OF PERSONAL 448 00:09:08,616 --> 00:09:10,851 RELATIONSHIP, LOVE, INTIMACY, 449 00:09:10,851 --> 00:09:11,985 ANY OF THAT, THAT'S 450 00:09:11,985 --> 00:09:12,720 NOT HAPPENING. 451 00:09:12,720 --> 00:09:13,386 LET ME ASK YOU THIS. 452 00:09:13,386 --> 00:09:14,387 DO YOU WANT TO TAKE THIS MOMENT 453 00:09:14,387 --> 00:09:16,023 NOW ON THIS STAGE IN FRONT OF 454 00:09:16,023 --> 00:09:16,957 EVERYBODY TO APOLOGIZE 455 00:09:16,957 --> 00:09:17,958 TO RASHEEDA? 456 00:09:17,958 --> 00:09:18,992 I SAID, "I'M SORRY. 457 00:09:18,992 --> 00:09:20,527 I DIDN'T MEAN TO HURT YOU." 458 00:09:20,527 --> 00:09:21,428 LOOK AT HER. 459 00:09:21,428 --> 00:09:22,730 LOOK AT HER, KIRK. 460 00:09:22,730 --> 00:09:23,897 YOU KNOW I LOVE YOU, 461 00:09:23,897 --> 00:09:24,632 RIGHT OR WRONG. 462 00:09:24,632 --> 00:09:26,333 YOU DO KNOW I LOVE YOU. 463 00:09:26,333 --> 00:09:27,167 I MEAN-- 464 00:09:27,167 --> 00:09:28,301 GO OVER NEXT TO HER, KIRK. 465 00:09:28,301 --> 00:09:29,002 GET OVER THERE NEXT TO 466 00:09:29,002 --> 00:09:29,670 HER, KIRK. 467 00:09:29,670 --> 00:09:30,337 BENZINO... 468 00:09:30,337 --> 00:09:31,004 COME ON, MAN. 469 00:09:31,004 --> 00:09:34,642 [all talking at once] 470 00:09:34,642 --> 00:09:35,843 ALL RIGHT. 471 00:09:35,843 --> 00:09:37,510 WE TRYING TO SAVE KIRK HERE, 472 00:09:37,510 --> 00:09:39,112 BUT WE'VE GOT TO GO TO BREAK. 473 00:09:39,112 --> 00:09:40,681 WHEN WE RETURN, WE'LL HEAR MORE 474 00:09:40,681 --> 00:09:41,782 FROM THE CAST OF LOVE AND 475 00:09:41,782 --> 00:09:43,751 HIP-HOP: ATLANTA, AND COMING UP 476 00:09:43,751 --> 00:09:45,719 LATER IN THE SHOW, A SPECIAL 477 00:09:45,719 --> 00:09:47,454 MUSICAL PERFORMANCE BY 478 00:09:47,454 --> 00:09:48,488 K MICHELLE. 479 00:09:48,488 --> 00:09:50,023 ALL OF THIS AND MORE ON LOVE AND 480 00:09:50,023 --> 00:09:52,459 HIP-HOP: ATLANTA: THE REUNION. 481 00:09:52,459 --> 00:09:53,460 [percussive music] 482 00:09:53,460 --> 00:09:57,564 ♪ 483 00:09:57,564 --> 00:09:58,666 YOU SEEM REAL NERVOUS RIGHT 484 00:09:58,666 --> 00:09:59,332 NOW 'CAUSE I'M HERE. 485 00:09:59,332 --> 00:10:01,434 ALL RIGHT, HOLD UP A SECOND. 486 00:10:01,434 --> 00:10:02,135 HERE WE GO. 487 00:10:02,135 --> 00:10:02,803 TALK TO ME. 488 00:10:02,803 --> 00:10:05,806 [cheers and applause] 489 00:10:11,044 --> 00:10:12,545 * THIS IS THE LIFE 490 00:10:12,545 --> 00:10:15,548 [cheers and applause] 491 00:10:16,449 --> 00:10:17,718 WHOO, WELCOME BACK TO PART 492 00:10:17,718 --> 00:10:18,719 TWO OF LOVE AND HIP-HOP: 493 00:10:18,719 --> 00:10:20,387 ATLANTA: THE REUNION. 494 00:10:20,387 --> 00:10:22,055 THIS SEASON, MIMI TRIED TO PUT 495 00:10:22,055 --> 00:10:23,824 ON A HAPPY FACE, BUT WHEN SHE 496 00:10:23,824 --> 00:10:24,892 CAME FACE-TO-FACE WITH 497 00:10:24,892 --> 00:10:26,626 ADVERSITY, SHE DIDN'T HESITATE 498 00:10:26,626 --> 00:10:28,228 TO GET IN YOUR FACE. 499 00:10:28,228 --> 00:10:29,863 TAKE A LOOK. 500 00:10:29,863 --> 00:10:31,264 YOU HAVE TO LET GO OF 501 00:10:31,264 --> 00:10:32,132 THE ANGER. 502 00:10:32,132 --> 00:10:34,334 I'M NOT ANGRY. 503 00:10:34,334 --> 00:10:35,002 YOU GONNA TELL ME THAT 504 00:10:35,002 --> 00:10:36,603 BITCH IS JOKING? 505 00:10:36,603 --> 00:10:39,339 [bleep]. 506 00:10:39,339 --> 00:10:40,607 EVERY TIME I HAVE A [bleep] 507 00:10:40,607 --> 00:10:41,608 SCENE, IT'S GOT TO BE RUINED 508 00:10:41,608 --> 00:10:43,076 BY SOME BULL[bleep]. 509 00:10:43,076 --> 00:10:44,344 CAN'T SOME [bleep] BE ABOUT ME 510 00:10:44,344 --> 00:10:46,013 SOME GODDAMN TIME? 511 00:10:46,013 --> 00:10:47,147 THAT BITCH'LL TURN ON YOU IN 512 00:10:47,147 --> 00:10:48,381 A [bleep] SECOND. 513 00:10:48,381 --> 00:10:49,950 I NEVER SAID SHE WOULDN'T. 514 00:10:49,950 --> 00:10:50,984 YOU WANT TO BEFRIEND THIS 515 00:10:50,984 --> 00:10:53,453 [bleep] WHACK-ASS BITCH? 516 00:10:53,453 --> 00:10:54,154 BITCH, YOU COULD'VE 517 00:10:54,154 --> 00:10:54,822 WALKED AWAY. 518 00:10:54,822 --> 00:10:55,789 WALK AWAY? 519 00:10:55,789 --> 00:10:56,890 BITCH, I AIN'T NEVER THE ONE 520 00:10:56,890 --> 00:10:58,625 TO WALK THE [bleep] AWAY! 521 00:10:58,625 --> 00:10:59,492 BITCH, I AIN'T NO 522 00:10:59,492 --> 00:11:00,761 WALK-AWAY-ASS BITCH. 523 00:11:00,761 --> 00:11:01,862 MIMI. 524 00:11:01,862 --> 00:11:03,196 EVERYBODY THINKS I'M ANGRY. 525 00:11:03,196 --> 00:11:05,799 I'M A VERY HAPPY KIND OF BITCH. 526 00:11:05,799 --> 00:11:07,100 [laughter] 527 00:11:07,100 --> 00:11:07,901 MIMI. 528 00:11:07,901 --> 00:11:10,738 [applause] 529 00:11:10,738 --> 00:11:12,172 CRAZY. 530 00:11:12,172 --> 00:11:13,106 ARE YOU A VERY HAPPY KIND 531 00:11:13,106 --> 00:11:13,774 OF BITCH? 532 00:11:13,774 --> 00:11:14,507 YES. 533 00:11:14,507 --> 00:11:15,375 'CAUSE AFTER WATCHING THAT, 534 00:11:15,375 --> 00:11:16,043 CAN YOU REALLY SAY YOU 535 00:11:16,043 --> 00:11:16,744 WEREN'T ANGRY? 536 00:11:16,744 --> 00:11:17,878 I HAD REASON TO BE ANGRY. 537 00:11:17,878 --> 00:11:18,746 WHEN YOU GOT A REASON TO BE 538 00:11:18,746 --> 00:11:19,880 ANGRY, YOU ANGRY, BUT OTHER THAN 539 00:11:19,880 --> 00:11:20,948 THAT, I'M A REAL HAPPY KIND 540 00:11:20,948 --> 00:11:21,849 OF BITCH. 541 00:11:21,849 --> 00:11:22,916 ALL RIGHT. 542 00:11:22,916 --> 00:11:24,217 BUT, ARIANE, SHE PRETTY MUCH GOT 543 00:11:24,217 --> 00:11:26,820 UPSET HALF THE SEASON HERE. 544 00:11:26,820 --> 00:11:27,755 both: SHE DID. 545 00:11:27,755 --> 00:11:28,555 AND RIGHTFULLY SO. 546 00:11:28,555 --> 00:11:29,289 HAVE YOU EVER SEEN HER 547 00:11:29,289 --> 00:11:29,957 THAT WAY? 548 00:11:29,957 --> 00:11:30,858 ALL THE TIME. 549 00:11:30,858 --> 00:11:32,760 I FEEL THE WRATH OF EVERYTHING. 550 00:11:32,760 --> 00:11:34,061 SO SHE KNOWS I'MA BE RIGHT HERE, 551 00:11:34,061 --> 00:11:34,762 AND I'M THE ONE. 552 00:11:34,762 --> 00:11:35,495 OH, YOU WERE RIGHT THERE. 553 00:11:35,495 --> 00:11:36,496 AND I'M GONNA BE THERE. 554 00:11:36,496 --> 00:11:37,164 SHE WAS RIGHT UP IN 555 00:11:37,164 --> 00:11:37,965 YOUR FACE; YOU DID NOT MOVE. 556 00:11:37,965 --> 00:11:38,766 ALWAYS, ALWAYS. 557 00:11:38,766 --> 00:11:39,767 BUT, MIMI, WHAT'S UP WITH 558 00:11:39,767 --> 00:11:40,768 THE TALKING UP IN THE FACE? 559 00:11:40,768 --> 00:11:42,235 I--I WANT YOU TO UNDERSTAND 560 00:11:42,235 --> 00:11:42,936 AND HEAR WHAT THE [bleep] 561 00:11:42,936 --> 00:11:43,771 I'M SAYING. 562 00:11:43,771 --> 00:11:44,504 ALL RIGHT. 563 00:11:44,504 --> 00:11:45,839 DO YOU FEEL LIKE YOU PLAY 564 00:11:45,839 --> 00:11:47,007 A PART IN WHY MIMI'S ALWAYS 565 00:11:47,007 --> 00:11:47,674 SO ANGRY? 566 00:11:47,674 --> 00:11:48,408 I DO, AND I WANTED TO TALK 567 00:11:48,408 --> 00:11:49,076 TO HER. 568 00:11:49,076 --> 00:11:49,877 OH, YOU WANT TO TALK TO HER? 569 00:11:49,877 --> 00:11:50,543 YEAH. 570 00:11:50,543 --> 00:11:51,211 WHAT DO YOU WANT TO 571 00:11:51,211 --> 00:11:51,879 SAY, STEVIE? 572 00:11:51,879 --> 00:11:52,579 I'D LIKE TO APOLOGIZE. 573 00:11:52,579 --> 00:11:53,246 ALL RIGHT. 574 00:11:53,246 --> 00:11:54,114 YOU KNOW WHAT I'M SAYING, AND 575 00:11:54,114 --> 00:11:54,882 I'D LIKE TO ASK WHAT I CAN DO 576 00:11:54,882 --> 00:11:56,016 TO MAKE IT EASIER SO WE CAN 577 00:11:56,016 --> 00:11:56,984 RAISE OUR DAUGHTER IN 578 00:11:56,984 --> 00:11:59,152 A PEACEFUL LIGHT. 579 00:11:59,152 --> 00:11:59,987 OH, MY GOD. 580 00:11:59,987 --> 00:12:03,623 [applause] 581 00:12:03,623 --> 00:12:05,458 JUST BE HONEST. 582 00:12:05,458 --> 00:12:06,126 BE REAL. 583 00:12:06,126 --> 00:12:07,227 TELL THE [bleep] TRUTH. 584 00:12:07,227 --> 00:12:08,295 STOP LYING. 585 00:12:08,295 --> 00:12:09,329 THAT'S WHAT I'VE BEEN DOING. 586 00:12:09,329 --> 00:12:10,263 NO, YOU HAVEN'T. 587 00:12:10,263 --> 00:12:11,231 [sighs] 588 00:12:11,231 --> 00:12:12,432 YOU REALLY HAVEN'T. 589 00:12:12,432 --> 00:12:13,433 DON'T SAY YOU'RE GONNA DO 590 00:12:13,433 --> 00:12:14,501 SOMETHING AND TURN AROUND AND DO 591 00:12:14,501 --> 00:12:15,235 SOMETHING ELSE. 592 00:12:15,235 --> 00:12:16,169 I DO EVERYTHING I SAID I WAS 593 00:12:16,169 --> 00:12:16,837 GONNA DO. 594 00:12:16,837 --> 00:12:18,271 NO, YOU DON'T. 595 00:12:18,271 --> 00:12:19,206 YOU DO EVERYTHING YOU SAY 596 00:12:19,206 --> 00:12:20,073 YOU'RE GONNA DO, BUT THEN YOU DO 597 00:12:20,073 --> 00:12:20,808 A WHOLE LOT MORE-- 598 00:12:20,808 --> 00:12:22,109 THEN YOU THROW IT IN MY FACE, 599 00:12:22,109 --> 00:12:23,176 AND YOU DO THIS AND THAT 600 00:12:23,176 --> 00:12:23,844 AND THE THIRD. 601 00:12:23,844 --> 00:12:24,577 THANKS, MONA, YEAH. 602 00:12:24,577 --> 00:12:25,245 SORRY. 603 00:12:25,245 --> 00:12:26,213 I ALSO WANT TO SAY SOMETHING 604 00:12:26,213 --> 00:12:26,880 TO YOU. 605 00:12:26,880 --> 00:12:27,680 OKAY, COOL. 606 00:12:27,680 --> 00:12:30,483 YOU AND I ARE NO LONGER. 607 00:12:30,483 --> 00:12:31,684 YOU ARE IN ANOTHER RELATIONSHIP, 608 00:12:31,684 --> 00:12:33,120 AND I RESPECT THAT. 609 00:12:33,120 --> 00:12:35,422 I JUST WANT WHAT--YOU AND YOUR 610 00:12:35,422 --> 00:12:37,624 RELATIONSHIP TO UNDERSTAND 611 00:12:37,624 --> 00:12:39,392 AND RESPECT WHAT WE HAVE. 612 00:12:39,392 --> 00:12:40,293 I'M YOUR DAUGHTER'S MOTHER. 613 00:12:40,293 --> 00:12:40,961 I'M ALWAYS GONNA BE YOUR 614 00:12:40,961 --> 00:12:41,628 DAUGHTER'S MOTHER. 615 00:12:41,628 --> 00:12:42,529 YOU'RE--AND YOU'RE MY FRIEND 616 00:12:42,529 --> 00:12:43,363 TOO, SO--YOU KNOW WHAT 617 00:12:43,363 --> 00:12:44,031 I'M SAYING? 618 00:12:44,031 --> 00:12:44,832 AND I'M YOUR FRIEND TOO. 619 00:12:44,832 --> 00:12:45,565 AND I WANT THAT--I WANT MY 620 00:12:45,565 --> 00:12:46,233 FRIEND BACK TOO. 621 00:12:46,233 --> 00:12:47,167 YOUR FRIEND HAS ALWAYS 622 00:12:47,167 --> 00:12:47,835 BEEN HERE. 623 00:12:47,835 --> 00:12:49,136 I'VE NEVER LEFT. 624 00:12:49,136 --> 00:12:50,838 YOUR FRIEND'S NEVER LEFT. 625 00:12:50,838 --> 00:12:51,504 DO YOU ACCEPT HIS 626 00:12:51,504 --> 00:12:54,842 APOLOGY, MIMI? 627 00:12:54,842 --> 00:12:55,843 NO, I DON'T. 628 00:12:55,843 --> 00:12:58,145 I DON'T FEEL IT'S SINCERE, ONE, 629 00:12:58,145 --> 00:12:59,446 AND HE'S APOLOGIZED TIME AND 630 00:12:59,446 --> 00:13:00,848 TIME AGAIN, BUT IT'S THE SAME 631 00:13:00,848 --> 00:13:01,882 OLD BULL[bleep] TIME AND TIME 632 00:13:01,882 --> 00:13:02,950 AGAIN, SO... 633 00:13:02,950 --> 00:13:03,650 WHOO! 634 00:13:03,650 --> 00:13:04,551 [applause] 635 00:13:04,551 --> 00:13:07,354 I KNOW. 636 00:13:07,354 --> 00:13:08,455 WELL, JOSELINE, IT SOUNDS 637 00:13:08,455 --> 00:13:10,023 LIKE MIMI IS TRYING TO RESPECT 638 00:13:10,023 --> 00:13:11,024 THE RELATIONSHIP THAT YOU AND 639 00:13:11,024 --> 00:13:12,425 STEVIE HAVE, AND SHE'S ASKING 640 00:13:12,425 --> 00:13:13,626 FOR THE SAME IN RETURN. 641 00:13:13,626 --> 00:13:14,627 DO YOU THINK THAT THAT'S 642 00:13:14,627 --> 00:13:15,762 SOMETHING THAT YOU CAN GIVE HER? 643 00:13:15,762 --> 00:13:16,663 I WOULD HAVE--I HAVEN'T 644 00:13:16,663 --> 00:13:17,898 THE CHOICE BUT TO RESPECT HER, 645 00:13:17,898 --> 00:13:18,866 JUST LIKE I HAVE TO RESPECT ALL 646 00:13:18,866 --> 00:13:20,367 THE OTHER BABY MOM, AND I WANT 647 00:13:20,367 --> 00:13:21,634 HER TO GIVE IT IN RETURN. 648 00:13:21,634 --> 00:13:22,936 AND LIKE SHE SAID, HE NEEDS TO 649 00:13:22,936 --> 00:13:24,304 JUST KEEP IT REAL, AND EVERYBODY 650 00:13:24,304 --> 00:13:26,539 KNOWS STEVIE'S A [bleep] LIAR. 651 00:13:26,539 --> 00:13:27,274 HE LIES FOR NO REASON. 652 00:13:27,274 --> 00:13:28,141 I USED TO BE. 653 00:13:28,141 --> 00:13:29,209 OH, WHATEVER, STEVIE. 654 00:13:29,209 --> 00:13:30,510 HE ALWAYS LIE. 655 00:13:30,510 --> 00:13:31,778 WELL, STEVIE, YOU ARE 656 00:13:31,778 --> 00:13:33,446 THE OLD MAN IN MIMI'S LIFE... 657 00:13:33,446 --> 00:13:34,147 YEAH. 658 00:13:34,147 --> 00:13:35,382 BUT WE ALSO MET THE NEW MAN 659 00:13:35,382 --> 00:13:36,383 IN MIMI'S LIFE THIS SEASON. 660 00:13:36,383 --> 00:13:37,117 [laughs] 661 00:13:37,117 --> 00:13:38,218 A BLAST FROM HER PAST 662 00:13:38,218 --> 00:13:39,452 NAMED NIKKO. 663 00:13:39,452 --> 00:13:40,520 BUT THEIR RELATIONSHIP TOOK 664 00:13:40,520 --> 00:13:42,189 A LICKING WHEN THE WATCH NIKKO 665 00:13:42,189 --> 00:13:44,024 GAVE MIMI KEPT A-TICKING. 666 00:13:44,024 --> 00:13:45,558 WHOO! 667 00:13:45,558 --> 00:13:47,227 THAT WAS HARD! 668 00:13:47,227 --> 00:13:47,895 WHOO! 669 00:13:47,895 --> 00:13:50,230 THAT WAS HARD. 670 00:13:50,230 --> 00:13:52,532 A REAL ROLLIE DON'T TICKTOCK. 671 00:13:52,532 --> 00:13:53,233 TAKE A LOOK. 672 00:13:53,233 --> 00:13:55,168 THAT WAS HARD. 673 00:13:55,168 --> 00:13:56,904 AN OLD FRIEND, NIKKO, CAME 674 00:13:56,904 --> 00:13:58,038 BACK INTO MY LIFE. 675 00:13:58,038 --> 00:13:59,206 WE STARTED DATING A FEW 676 00:13:59,206 --> 00:14:02,709 MONTHS AGO, AND I'M LOVING IT 677 00:14:02,709 --> 00:14:03,543 RIGHT NOW. 678 00:14:03,543 --> 00:14:04,912 I TOLD MIMI THE OTHER NIGHT, 679 00:14:04,912 --> 00:14:05,645 LIKE, I FEEL LIKE SHE HAS 680 00:14:05,645 --> 00:14:06,313 A TYPE. 681 00:14:06,313 --> 00:14:07,580 WORD ON THE STREET IS, MIMI'S 682 00:14:07,580 --> 00:14:08,748 RUNNING AROUND WITH A KNOCK-OFF 683 00:14:08,748 --> 00:14:10,250 STEVIE J. 684 00:14:10,250 --> 00:14:11,919 I'M SHOOTING A VIDEO, RIGHT? 685 00:14:11,919 --> 00:14:12,619 I'M MAKING YOU THE STAR 686 00:14:12,619 --> 00:14:13,286 OF THE VIDEO. 687 00:14:13,286 --> 00:14:14,054 THANK YOU, BABY. 688 00:14:14,054 --> 00:14:15,022 DON'T BE MAD BECAUSE YOUR 689 00:14:15,022 --> 00:14:15,923 CO-PILOT IS GAY. 690 00:14:15,923 --> 00:14:16,723 NO, I JUST WANT YOU TO 691 00:14:16,723 --> 00:14:17,390 LEAVE, THOUGH. 692 00:14:17,390 --> 00:14:18,091 YOU HAVE A ROOMMATE 693 00:14:18,091 --> 00:14:18,758 IN ATLANTA. 694 00:14:18,758 --> 00:14:19,659 THIS IS NOT NEW YORK. 695 00:14:19,659 --> 00:14:21,761 $1,000 RENT AND YOU SPLIT IT? 696 00:14:21,761 --> 00:14:23,296 GET THE [bleep] OUT OF HERE. 697 00:14:23,296 --> 00:14:24,797 WHEN NIKKO ASKED ME TO DO 698 00:14:24,797 --> 00:14:26,433 THIS VIDEO, HE SAID I WOULD BE 699 00:14:26,433 --> 00:14:28,035 THE LEADING LADY, BUT LEADING 700 00:14:28,035 --> 00:14:30,003 LADIES GET MORE THAN TWO SECONDS 701 00:14:30,003 --> 00:14:30,971 ON THE SCREEN. 702 00:14:30,971 --> 00:14:32,973 WHAT DO YOU FEEL, AS MY FRIEND, 703 00:14:32,973 --> 00:14:34,341 ABOUT MY RELATIONSHIP? 704 00:14:34,341 --> 00:14:36,409 I FEEL LIKE HE'S 705 00:14:36,409 --> 00:14:38,445 UNAUTHENTIC SOMETIMES. 706 00:14:38,445 --> 00:14:40,847 THIS IS WHAT I GOT FOR YOU. 707 00:14:40,847 --> 00:14:42,249 SEE, IT MATCHES. 708 00:14:42,249 --> 00:14:44,184 MATCHING MINE, SEE? 709 00:14:44,184 --> 00:14:45,485 YOURS HAS DIAMONDS. 710 00:14:45,485 --> 00:14:46,286 I LIKE IT, THOUGH, WITHOUT 711 00:14:46,286 --> 00:14:47,154 DIAMONDS FOR YOU. 712 00:14:47,154 --> 00:14:48,788 IT'S TICKING, THOUGH. 713 00:14:48,788 --> 00:14:50,823 A REAL ROLLIE DON'T TICKTOCK, 714 00:14:50,823 --> 00:14:51,491 YOU KNOW? 715 00:14:51,491 --> 00:14:52,659 ONLY A FAKE CAT WILL GIVE 716 00:14:52,659 --> 00:14:53,760 A FAKE ROLLIE. 717 00:14:53,760 --> 00:14:54,761 I REALLY TRIED TO MAKE THIS 718 00:14:54,761 --> 00:14:56,096 WORK, BUT AT THIS POINT, I'M 719 00:14:56,096 --> 00:14:57,965 COMPLETELY OVER THIS DUDE. 720 00:14:57,965 --> 00:14:58,966 I'M LEAVING YOU BECAUSE YOU'RE 721 00:14:58,966 --> 00:15:01,101 AN ASS[bleep]. 722 00:15:01,101 --> 00:15:02,335 SO... 723 00:15:02,335 --> 00:15:03,436 YES, YOU WOULD WANT TO CLAP FOR 724 00:15:03,436 --> 00:15:05,372 THAT, WOULDN'T YOU, STEVIE? 725 00:15:05,372 --> 00:15:06,406 WELL, I KNOW HOW MUCH YOU GUYS 726 00:15:06,406 --> 00:15:09,276 LOVE SURPRISES, SO WE HAVE ONE 727 00:15:09,276 --> 00:15:10,377 FOR YOU NOW. 728 00:15:10,377 --> 00:15:11,644 WHY DON'T WE WELCOME NIKKO 729 00:15:11,644 --> 00:15:13,080 TO THE STAGE? 730 00:15:13,080 --> 00:15:14,747 COME ON OUT, NIKKO. 731 00:15:14,747 --> 00:15:17,450 BOO, BOO. 732 00:15:17,450 --> 00:15:20,453 [audience jeering] 733 00:15:22,455 --> 00:15:24,391 ALL RIGHT, K MICHELLE, 734 00:15:24,391 --> 00:15:25,558 WHERE YOU GOING? 735 00:15:25,558 --> 00:15:27,227 WHERE YOU GOING, NIKKO? 736 00:15:27,227 --> 00:15:29,896 NIKKO, HAVE A SEAT. 737 00:15:29,896 --> 00:15:30,697 NIKKO-- 738 00:15:30,697 --> 00:15:32,032 DON'T TOUCH ME. 739 00:15:32,032 --> 00:15:32,699 NIKKO, SIT DOWN. 740 00:15:32,699 --> 00:15:33,833 SIT DOWN. 741 00:15:33,833 --> 00:15:37,437 SIT--SIT DOWN RIGHT THERE. 742 00:15:37,437 --> 00:15:38,338 BENZINO! 743 00:15:38,338 --> 00:15:39,172 SIT DOWN, STEVIE. 744 00:15:39,172 --> 00:15:41,108 WHAT YOU GONNA DO, BENZINO? 745 00:15:41,108 --> 00:15:43,610 [laughter] 746 00:15:43,610 --> 00:15:45,412 SIT DOWN, STEVIE. 747 00:15:45,412 --> 00:15:49,582 ALL RIGHT. 748 00:15:49,582 --> 00:15:51,751 WHAT'S GOING ON? 749 00:15:51,751 --> 00:15:52,752 OKAY, NIKKO, WE BROUGHT YOU 750 00:15:52,752 --> 00:15:54,021 ON 'CAUSE WE WANTED TO GIVE YOU 751 00:15:54,021 --> 00:15:55,355 AN OPPORTUNITY TO HEAR YOUR 752 00:15:55,355 --> 00:15:56,856 SIDE OF THE STORY. 753 00:15:56,856 --> 00:15:58,258 YOU KNOW, MIMI IS MIMI, MAN. 754 00:15:58,258 --> 00:15:59,426 WE SHARE--WE SHARED GREAT 755 00:15:59,426 --> 00:16:00,460 MOMENTS TOGETHER, AND WE STILL 756 00:16:00,460 --> 00:16:01,694 SHARE GREAT MOMENTS TOGETHER, 757 00:16:01,694 --> 00:16:02,462 SO... 758 00:16:02,462 --> 00:16:03,763 YOU GUYS ARE STILL DATING? 759 00:16:03,763 --> 00:16:04,431 YES. 760 00:16:04,431 --> 00:16:05,098 ABSOLUTELY. 761 00:16:05,098 --> 00:16:05,932 OH, YOU GUYS ARE SOMETHING. 762 00:16:05,932 --> 00:16:06,599 OKAY. 763 00:16:06,599 --> 00:16:07,434 WHAT ARE YOU TALKING ABOUT? 764 00:16:07,434 --> 00:16:08,101 ALL RIGHT. 765 00:16:08,101 --> 00:16:08,768 SO WHAT ARE YOU SAYING? 766 00:16:08,768 --> 00:16:09,569 THAT THE BREAKUP--YOU GUYS 767 00:16:09,569 --> 00:16:10,537 DIDN'T REALLY BREAK UP? 768 00:16:10,537 --> 00:16:11,438 WE BROKE UP, BUT THAT'S 769 00:16:11,438 --> 00:16:13,573 NORMAL RELATIONSHIPS. 770 00:16:13,573 --> 00:16:14,507 LIKE, YOU GOT TO UNDERSTAND 771 00:16:14,507 --> 00:16:15,175 SOMETHING. 772 00:16:15,175 --> 00:16:16,109 LIKE, HIM AND HER IS LOCKED 773 00:16:16,109 --> 00:16:16,943 TOGETHER FOR LIFE. 774 00:16:16,943 --> 00:16:17,910 THEY GOT A BABY TOGETHER. 775 00:16:17,910 --> 00:16:19,379 SO WHEN WE IN THE BED DOING WHAT 776 00:16:19,379 --> 00:16:20,780 WE DOING, HE CALL ON THE PHONE. 777 00:16:20,780 --> 00:16:23,616 all: OH! 778 00:16:23,616 --> 00:16:24,551 GOING BACK TO THE SHOW, 779 00:16:24,551 --> 00:16:26,053 STEVIE J. CALLED YOU A KNOCK-OFF 780 00:16:26,053 --> 00:16:26,653 STEVIE J. 781 00:16:26,653 --> 00:16:27,354 RIGHT. 782 00:16:27,354 --> 00:16:28,055 I MEAN, I HAVE TO SAY YOU 783 00:16:28,055 --> 00:16:29,289 GUYS DO FAVOR EACH OTHER 784 00:16:29,289 --> 00:16:30,057 A LITTLE BIT. 785 00:16:30,057 --> 00:16:30,657 THERE'S A LOT OF 786 00:16:30,657 --> 00:16:31,324 SIMILARITY THERE. 787 00:16:31,324 --> 00:16:32,492 THERE'S NO SIMILARITIES. 788 00:16:32,492 --> 00:16:34,327 [all talking at once] 789 00:16:34,327 --> 00:16:35,062 FOUR GRAMMYS. 790 00:16:35,062 --> 00:16:35,662 LISTEN. 791 00:16:35,662 --> 00:16:36,329 LET HER TALK. 792 00:16:36,329 --> 00:16:37,064 WHO IS THIS GUY? 793 00:16:37,064 --> 00:16:39,432 [laughter and applause] 794 00:16:39,432 --> 00:16:41,768 STEVIE J., LISTEN. 795 00:16:41,768 --> 00:16:43,070 HE ALSO ACCUSED YOU OF GIVING 796 00:16:43,070 --> 00:16:44,471 MIMI A FAKE ROLEX. 797 00:16:44,471 --> 00:16:45,372 WHAT WAS THE DEAL WITH THAT? 798 00:16:45,372 --> 00:16:46,273 WAS THE ROLEX REAL? 799 00:16:46,273 --> 00:16:47,274 LET'S GET TO THE BOTTOM OF THAT. 800 00:16:47,274 --> 00:16:48,308 IF I TELL YOU, MONA, RIGHT 801 00:16:48,308 --> 00:16:50,243 NOW THAT THE WATCH IS REAL AND 802 00:16:50,243 --> 00:16:51,678 I PAID THIS FOR IT, YOU AIN'T 803 00:16:51,678 --> 00:16:53,146 GONNA BELIEVE ME ANYWAY, SO-- 804 00:16:53,146 --> 00:16:54,314 I'M ASKING YOU TO TELL ME. 805 00:16:54,314 --> 00:16:54,981 I DON'T KNOW. 806 00:16:54,981 --> 00:16:56,449 I NEVER EVEN SAW THE DAMN WATCH. 807 00:16:56,449 --> 00:16:57,584 I'M TELLING YOU-- 808 00:16:57,584 --> 00:16:58,385 I'M TELLING YOU OF COURSE 809 00:16:58,385 --> 00:16:59,086 IT WAS. 810 00:16:59,086 --> 00:16:59,952 I DON'T DO NOTHING FUGAZI. 811 00:16:59,952 --> 00:17:01,188 YOU CAN CHECK MY HISTORY. 812 00:17:01,188 --> 00:17:02,122 OKAY, ALL RIGHT. 813 00:17:02,122 --> 00:17:03,090 SO WE'LL TAKE YOUR WORD FOR IT. 814 00:17:03,090 --> 00:17:03,690 I HAVE NO WAY OF KNOWING. 815 00:17:03,690 --> 00:17:04,357 THERE YOU GO. 816 00:17:04,357 --> 00:17:05,158 I CAN LET YOU KNOW. 817 00:17:05,158 --> 00:17:05,825 LET'S GO. 818 00:17:05,825 --> 00:17:07,160 THAT THING WAS NOT RIGHT. 819 00:17:07,160 --> 00:17:08,961 [audience murmuring] 820 00:17:08,961 --> 00:17:09,762 WHERE YOUR BREAD AT? 821 00:17:09,762 --> 00:17:10,797 YOUSE A--YOUSE A BUM-- 822 00:17:10,797 --> 00:17:11,831 WHERE'S YOUR BREAD? 823 00:17:11,831 --> 00:17:12,499 YOUSE A BUM-- 824 00:17:12,499 --> 00:17:13,366 LISTEN. 825 00:17:13,366 --> 00:17:15,268 ALL RIGHT, HOLD ON A SECOND. 826 00:17:15,268 --> 00:17:16,103 THIS IS MY THURSDAY-- 827 00:17:16,103 --> 00:17:17,137 THIS IS MY THURSDAY POCKET. 828 00:17:17,137 --> 00:17:17,804 THIS IS MY THURSDAY-- 829 00:17:17,804 --> 00:17:18,638 ALL RIGHT, HERE WE GO. 830 00:17:18,638 --> 00:17:19,406 TALK TO ME. 831 00:17:19,406 --> 00:17:21,808 [cheers and applause] 832 00:17:21,808 --> 00:17:23,009 THAT'S $1s. 833 00:17:23,009 --> 00:17:24,111 HE'S GOT $1s. 834 00:17:24,111 --> 00:17:27,114 [clapping and shouting] 835 00:17:31,251 --> 00:17:32,419 HE JUST MADE IT RAIN ON HERE. 836 00:17:32,419 --> 00:17:33,653 THESE ARE $1s RIGHT HERE. 837 00:17:33,653 --> 00:17:35,122 YOU SEE WHAT THIS IS? 838 00:17:35,122 --> 00:17:35,955 THIS IS MY--HOLD UP. 839 00:17:35,955 --> 00:17:37,357 THIS IS MY THURSDAY NIGHT. 840 00:17:37,357 --> 00:17:38,225 IF YOU GONNA THROW THAT 841 00:17:38,225 --> 00:17:38,925 THURSDAY WAD, THROW IT UP 842 00:17:38,925 --> 00:17:39,592 THIS WAY. 843 00:17:39,592 --> 00:17:40,293 I SEE A BUNCH OF $100s 844 00:17:40,293 --> 00:17:40,960 OVER THERE. 845 00:17:40,960 --> 00:17:41,628 MONA, THAT'S RENTED, 846 00:17:41,628 --> 00:17:42,829 JUST LIKE THE ROLLIE, YOU KNOW 847 00:17:42,829 --> 00:17:43,496 WHAT I'M SAYING? 848 00:17:43,496 --> 00:17:44,264 I AIN'T GONNA RENT MONEY, 849 00:17:44,264 --> 00:17:44,931 YOU IDIOT. 850 00:17:44,931 --> 00:17:45,632 ALL RIGHT, I SEE IT. 851 00:17:45,632 --> 00:17:46,633 THERE'S A WHOLE LOT OF BREAD 852 00:17:46,633 --> 00:17:47,300 ON THE STAGE. 853 00:17:47,300 --> 00:17:48,835 I GET IT; YOU GUYS GOT PAPER. 854 00:17:48,835 --> 00:17:49,502 WE ALL GOT PAPER. 855 00:17:49,502 --> 00:17:50,537 WELL, HE BROUGHT IT UP. 856 00:17:50,537 --> 00:17:51,304 ARIANE. 857 00:17:51,304 --> 00:17:51,971 YES. 858 00:17:51,971 --> 00:17:53,340 YOU CALLED NIKKO UNAUTHENTIC. 859 00:17:53,340 --> 00:17:54,241 I DID SAY I FELT HE 860 00:17:54,241 --> 00:17:54,941 WAS UNAUTHENTIC. 861 00:17:54,941 --> 00:17:55,875 OKAY, CAN YOU TALK TO US 862 00:17:55,875 --> 00:17:57,244 ABOUT WHY YOU FELT THAT WAY, 863 00:17:57,244 --> 00:17:57,977 WHY YOU SAID THAT? 864 00:17:57,977 --> 00:18:00,747 I JUST FELT LIKE HE WAS 865 00:18:00,747 --> 00:18:03,950 AN OPPORTUNIST, AND MIMI IS IN 866 00:18:03,950 --> 00:18:06,353 A PLACE RIGHT NOW WHERE SHE WAS 867 00:18:06,353 --> 00:18:07,820 VERY VULNERABLE, AND HE TOOK 868 00:18:07,820 --> 00:18:09,055 ADVANTAGE OF THE SITUATION. 869 00:18:09,055 --> 00:18:09,722 WHAT DO YOU SAY ABOUT 870 00:18:09,722 --> 00:18:10,623 THAT, MIMI? 871 00:18:10,623 --> 00:18:11,291 I DON'T. 872 00:18:11,291 --> 00:18:13,526 YOU DON'T FEEL THAT WAY? 873 00:18:13,526 --> 00:18:16,062 YOUR EYES--WIDE OPEN. 874 00:18:16,062 --> 00:18:16,763 ALL RIGHT. 875 00:18:16,763 --> 00:18:17,497 NIKKO, DO YOU WANT TO 876 00:18:17,497 --> 00:18:18,165 ADDRESS THAT? 877 00:18:18,165 --> 00:18:19,031 LISTEN, MAN, AM I 878 00:18:19,031 --> 00:18:19,699 AN OPPORTUNIST? 879 00:18:19,699 --> 00:18:20,900 ABSOLUTELY I AM. 880 00:18:20,900 --> 00:18:21,568 WHY WOULDN'T I BE? 881 00:18:21,568 --> 00:18:22,269 I'LL GET MONEY. 882 00:18:22,269 --> 00:18:23,035 THAT'S WHAT I'M GETTING. 883 00:18:23,035 --> 00:18:23,870 THAT'S FINE, BUT YOU CALLED 884 00:18:23,870 --> 00:18:24,637 HER DAMAGED GOODS ON-- 885 00:18:24,637 --> 00:18:25,872 ON NATIONAL TV. 886 00:18:25,872 --> 00:18:26,939 BUT THAT'S BESIDES 887 00:18:26,939 --> 00:18:27,607 THE POINT, THOUGH. 888 00:18:27,607 --> 00:18:28,441 WHAT I'M SAYING TO YOU IS THIS. 889 00:18:28,441 --> 00:18:29,209 WHAT? 890 00:18:29,209 --> 00:18:30,076 NO, NO, LISTEN, LISTEN. 891 00:18:30,076 --> 00:18:31,178 [audience murmuring] 892 00:18:31,178 --> 00:18:32,712 I'M SIX MONTHS INTO MIMI. 893 00:18:32,712 --> 00:18:34,214 THEY STILL HAD A LOT GOING ON. 894 00:18:34,214 --> 00:18:35,182 THEY STILL GOT THE SITUATION 895 00:18:35,182 --> 00:18:35,915 GOING ON. 896 00:18:35,915 --> 00:18:36,983 AND SIX MONTHS--AND YOU 897 00:18:36,983 --> 00:18:37,817 SHOULD'VE BEEN MORE-- 898 00:18:37,817 --> 00:18:38,485 LISTEN, LISTEN. 899 00:18:38,485 --> 00:18:39,319 YOU SHOULD'VE BEEN MORE-- 900 00:18:39,319 --> 00:18:40,187 YOU SHOULD'VE BEEN MORE 901 00:18:40,187 --> 00:18:40,920 THOUGHTFUL THAN TO BUY HER 902 00:18:40,920 --> 00:18:41,854 FAKE ROLLIES. 903 00:18:41,854 --> 00:18:44,524 [applause] 904 00:18:44,524 --> 00:18:45,692 AND BEEN MORE NURTURING 905 00:18:45,692 --> 00:18:47,660 AND BEEN A MAN, LIKE, OKAY. 906 00:18:47,660 --> 00:18:48,528 BUT THEN HER BEING DAMAGED 907 00:18:48,528 --> 00:18:49,462 GOODS--KNOWING WHAT 908 00:18:49,462 --> 00:18:50,330 SHE HAD GONE THROUGH? 909 00:18:50,330 --> 00:18:51,063 AT THE END OF THE DAY, SHE 910 00:18:51,063 --> 00:18:52,199 CAN TELL YOU WHAT I DO FOR HER, 911 00:18:52,199 --> 00:18:53,032 AND SHE CAN TELL YOU HOW 912 00:18:53,032 --> 00:18:54,033 I CONSOLE HER, AND SHE CAN TELL 913 00:18:54,033 --> 00:18:55,402 YOU I'M THERE FOR HER. 914 00:18:55,402 --> 00:18:56,403 LET ME HEAR FROM YOU, MIMI. 915 00:18:56,403 --> 00:18:58,070 YOUR RELATIONSHIP WITH NIKKO-- 916 00:18:58,070 --> 00:18:59,005 THIS IS A GOOD RELATIONSHIP 917 00:18:59,005 --> 00:18:59,672 FOR YOU. 918 00:18:59,672 --> 00:19:00,673 WELL, IT JUST--IT IS WHAT 919 00:19:00,673 --> 00:19:01,408 IT IS. 920 00:19:01,408 --> 00:19:03,243 I'VE KNOWN NIKKO FOR MANY YEARS. 921 00:19:03,243 --> 00:19:04,511 EVERYTHING ISN'T PERFECT. 922 00:19:04,511 --> 00:19:05,278 YEAH, WE GO THROUGH 923 00:19:05,278 --> 00:19:06,213 BULL[bleep]. 924 00:19:06,213 --> 00:19:07,046 WE TALK ABOUT IT. 925 00:19:07,046 --> 00:19:09,081 WE GET OVER IT. 926 00:19:09,081 --> 00:19:10,350 IT'S LIKE ANYBODY ELSE. 927 00:19:10,350 --> 00:19:11,251 EVERYBODY GOES-- 928 00:19:11,251 --> 00:19:12,352 BUT, NIKKO, I JUST WANT MIMI 929 00:19:12,352 --> 00:19:13,786 TO SPEAK ON YOUR BEHALF FOR 930 00:19:13,786 --> 00:19:14,654 A QUICK SECOND, BECAUSE YOU'RE 931 00:19:14,654 --> 00:19:15,455 SAYING THAT YOU GUYS HAVE 932 00:19:15,455 --> 00:19:16,389 CONVERSATIONS; YOU TAKE GOOD 933 00:19:16,389 --> 00:19:17,089 CARE OF HER. 934 00:19:17,089 --> 00:19:17,924 YOU SEEM REAL NERVOUS RIGHT 935 00:19:17,924 --> 00:19:18,691 NOW 'CAUSE I'M HERE. 936 00:19:18,691 --> 00:19:19,726 NERVOUS? 937 00:19:19,726 --> 00:19:21,361 MY FEET IS UP, KICKED UP. 938 00:19:21,361 --> 00:19:22,229 THIS IS MY HOUSE. 939 00:19:22,229 --> 00:19:23,563 YOU A GUEST, YOU KNOW WHAT I'M 940 00:19:23,563 --> 00:19:24,497 SAYING, WITH THEM LONG JOHN 941 00:19:24,497 --> 00:19:25,732 PANTS ON YOU GOT OVER THERE. 942 00:19:25,732 --> 00:19:29,469 [cheers and applause] 943 00:19:29,469 --> 00:19:30,737 HOLD UP, BUS DRIVER. 944 00:19:30,737 --> 00:19:31,638 GIVE ME TWO MINUTES, MAN. 945 00:19:31,638 --> 00:19:32,339 YEAH, YEAH, YOU-- 946 00:19:32,339 --> 00:19:33,306 YOU RIDING MY BUS TOO. 947 00:19:33,306 --> 00:19:34,541 DON'T ACT LIKE YOU KNOW. 948 00:19:34,541 --> 00:19:35,275 YOU KNOW WHAT I MEAN? 949 00:19:35,275 --> 00:19:35,975 [cheers and applause] 950 00:19:35,975 --> 00:19:37,109 HOLD ON, HOLD ON. 951 00:19:37,109 --> 00:19:37,910 HOLD ON, BUS DRIVER. 952 00:19:37,910 --> 00:19:38,845 ALL RIGHT, WELL, WE'VE GOT TO 953 00:19:38,845 --> 00:19:40,247 GO TO BREAK, BUT COMING UP, 954 00:19:40,247 --> 00:19:41,614 WE'VE GOT MORE LOVE AND HIP-HOP: 955 00:19:41,614 --> 00:19:42,715 ATLANTA: THE REUNION, 956 00:19:42,715 --> 00:19:44,451 SO DON'T MOVE. 957 00:19:44,451 --> 00:19:47,454 [cheers and applause] 958 00:19:48,455 --> 00:19:50,156 SO YOU THINK KARLIE WAS LYING? 959 00:19:50,156 --> 00:19:51,724 KARLIE'S KNOWN TO BE MESSY. 960 00:19:51,724 --> 00:19:52,925 HOLD UP, I GOT A TEXT RIGHT 961 00:19:52,925 --> 00:19:53,926 HERE THAT YOU JUST SENT ME 962 00:19:53,926 --> 00:19:54,627 RIGHT NOW, THOUGH. 963 00:19:54,627 --> 00:19:55,462 WHAT'D SHE SAY? 964 00:19:55,462 --> 00:19:56,296 LET'S GET TO THE BOTTOM OF THIS 965 00:19:56,296 --> 00:19:56,963 ONCE AND FOR ALL. 966 00:19:56,963 --> 00:19:57,664 OH, MY GOD. 967 00:20:01,968 --> 00:20:03,135 * THIS IS THE LIFE 968 00:20:03,135 --> 00:20:06,105 [applause] 969 00:20:06,105 --> 00:20:07,307 WELCOME BACK TO LOVE AND 970 00:20:07,307 --> 00:20:09,309 HIP-HOP: ATLANTA: THE REUNION. 971 00:20:09,309 --> 00:20:10,543 INTERESTINGLY ENOUGH, 972 00:20:10,543 --> 00:20:11,878 THE BIGGEST BREAKUP TO MAKEUP 973 00:20:11,878 --> 00:20:12,979 OF THE SEASON DIDN'T COME 974 00:20:12,979 --> 00:20:15,047 COURTESY OF ONE OF OUR COUPLES. 975 00:20:15,047 --> 00:20:16,549 INSTEAD, IT HAPPENED BETWEEN OUR 976 00:20:16,549 --> 00:20:18,918 RESIDENT B.F.F.s STEVIE J. 977 00:20:18,918 --> 00:20:20,920 AND BENZINO, WHO FELL OUT OVER 978 00:20:20,920 --> 00:20:22,522 ONE OF THE GUY CODE'S MOST 979 00:20:22,522 --> 00:20:24,624 COVETED RULES, AND STILL 980 00:20:24,624 --> 00:20:26,225 THE QUESTION LINGERS. 981 00:20:26,225 --> 00:20:28,761 DID JOSELINE SMASH THE HOMIE? 982 00:20:28,761 --> 00:20:29,696 LET'S TRY TO GET TO THE BOTTOM 983 00:20:29,696 --> 00:20:32,265 OF THE RUMORS WITH THIS CLIP. 984 00:20:32,265 --> 00:20:33,800 WHAT'S GOING ON WITH BENZINO? 985 00:20:33,800 --> 00:20:34,467 YOU KNOW HE TOLD ME 986 00:20:34,467 --> 00:20:35,134 HE [bleep] YOU. 987 00:20:35,134 --> 00:20:36,135 THAT'S A LIE. 988 00:20:36,135 --> 00:20:36,803 I DON'T KNOW WHO WAS 989 00:20:36,803 --> 00:20:37,504 TELLING YOU-- 990 00:20:37,504 --> 00:20:38,271 LET'S JUST FIGURE IT OUT. 991 00:20:38,271 --> 00:20:39,038 LET'S JUST GET TO THE BOTTOM 992 00:20:39,038 --> 00:20:39,706 OF IT. 993 00:20:39,706 --> 00:20:40,473 SHE OVER HERE SAYING THAT 994 00:20:40,473 --> 00:20:41,841 KARLIE REDD TOLD HER THAT YOU 995 00:20:41,841 --> 00:20:42,842 SMASHED HER. 996 00:20:42,842 --> 00:20:43,510 WORD? 997 00:20:43,510 --> 00:20:44,311 WHY WOULD YOU EVEN SAY THAT 998 00:20:44,311 --> 00:20:44,977 ABOUT ME? 999 00:20:44,977 --> 00:20:46,178 I'M NOT GONNA SIT HERE AND 1000 00:20:46,178 --> 00:20:48,315 ENTERTAIN NO DUMB [bleep]. 1001 00:20:48,315 --> 00:20:49,549 HE HIT ME UP THE OTHER DAY ON 1002 00:20:49,549 --> 00:20:51,584 TWITTER, D.M., AT 6:00 IN 1003 00:20:51,584 --> 00:20:53,286 THE MORNING TWICE TRYING 1004 00:20:53,286 --> 00:20:54,120 TO [bleep]. 1005 00:20:54,120 --> 00:20:55,422 YOU COME HERE WITH HER, 1006 00:20:55,422 --> 00:20:56,889 RIGHT, AT MY PLACE OF BUSINESS 1007 00:20:56,889 --> 00:20:57,590 TO TALK ABOUT WHAT KARLIE 1008 00:20:57,590 --> 00:20:58,257 REDD SAID. 1009 00:20:58,257 --> 00:20:59,025 IT AIN'T GOT NOTHING TO DO 1010 00:20:59,025 --> 00:20:59,726 WITH HER. 1011 00:20:59,726 --> 00:21:00,493 REALLY? 1012 00:21:00,493 --> 00:21:01,328 SO THEN WE AIN'T BROTHERS NO 1013 00:21:01,328 --> 00:21:02,094 MORE, THEN, I GUESS, RIGHT? 1014 00:21:02,094 --> 00:21:02,829 I'M COOL WITH THAT. 1015 00:21:02,829 --> 00:21:03,896 YOU SHOWED ME JOSELINE'S 1016 00:21:03,896 --> 00:21:04,597 PORN TAPE. 1017 00:21:04,597 --> 00:21:05,332 ACTUALLY, I DIDN'T. 1018 00:21:05,332 --> 00:21:06,132 YOU SHOWED IT TO ME! 1019 00:21:06,132 --> 00:21:09,035 YOU'RE A [bleep] LIAR! 1020 00:21:09,035 --> 00:21:09,802 I HAD TO DO A LITTLE 1021 00:21:09,802 --> 00:21:10,603 INVESTIGATION. 1022 00:21:10,603 --> 00:21:11,338 RIGHT. 1023 00:21:11,338 --> 00:21:12,038 YOU KNOW WHAT I'M SAYING? 1024 00:21:12,038 --> 00:21:14,407 SO I HAD TO GO SEE KARLIE AGAIN, 1025 00:21:14,407 --> 00:21:15,241 YOU KNOW WHAT I'M SAYING? 1026 00:21:15,241 --> 00:21:16,343 [groans] 1027 00:21:16,343 --> 00:21:17,810 WHAT I FOUND OUT WHAT I 1028 00:21:17,810 --> 00:21:19,111 ALREADY KNEW, YOU KNOW WHAT 1029 00:21:19,111 --> 00:21:19,779 I'M SAYING? 1030 00:21:19,779 --> 00:21:20,780 RIGHT. 1031 00:21:20,780 --> 00:21:22,114 SHE'S A LIAR. 1032 00:21:22,114 --> 00:21:23,015 IS THAT JOSELINE? 1033 00:21:23,015 --> 00:21:23,750 WHAT IS THIS? 1034 00:21:23,750 --> 00:21:24,817 THAT'S MY NEW VIDEO. 1035 00:21:24,817 --> 00:21:25,785 FOR WHAT? 1036 00:21:25,785 --> 00:21:27,086 FOR SMASHED DA HOMIE. 1037 00:21:27,086 --> 00:21:28,054 ♪ SHE SAID SHE WANT 1038 00:21:28,054 --> 00:21:30,723 ♪ TO GET TO KNOW ME 1039 00:21:30,723 --> 00:21:31,424 ♪ EVEN THOUGH 1040 00:21:31,424 --> 00:21:33,693 ♪ SHE SMASHED THE HOMIE 1041 00:21:33,693 --> 00:21:34,461 LOOK LIKE YOU? 1042 00:21:34,461 --> 00:21:35,362 * SHE WANT TO DO IT 1043 00:21:35,362 --> 00:21:36,596 ♪ LIKE SOME ANIMALS 1044 00:21:36,596 --> 00:21:37,530 I REALLY DON'T GIVE A [bleep] 1045 00:21:37,530 --> 00:21:38,731 WHAT HE TALKING ABOUT BECAUSE 1046 00:21:38,731 --> 00:21:41,701 THE SONG IS NOT EVEN HOT. 1047 00:21:41,701 --> 00:21:43,370 [applause] 1048 00:21:43,370 --> 00:21:46,038 BENZINO, IF WHAT KARLIE WAS 1049 00:21:46,038 --> 00:21:47,907 SAYING WAS A LIE AND YOU NEVER 1050 00:21:47,907 --> 00:21:50,276 SAID THAT JOSELINE AND YOU 1051 00:21:50,276 --> 00:21:52,712 SMASHED, WHY DO A VIDEO AND CAST 1052 00:21:52,712 --> 00:21:54,614 A JOSELINE LOOK-ALIKE AND SAY 1053 00:21:54,614 --> 00:21:55,648 SHE SMASHED THE HOMIE? 1054 00:21:55,648 --> 00:21:56,616 WELL, I MEAN, I HAD ALREADY 1055 00:21:56,616 --> 00:21:57,484 DID THE SONG. 1056 00:21:57,484 --> 00:21:59,218 WHEN I WENT TO MIAMI FOR 1057 00:21:59,218 --> 00:22:02,188 MEMORIAL WEEKEND, THAT'S WHEN 1058 00:22:02,188 --> 00:22:03,222 ARIEL HAD CAME UP, WAS LIKE, 1059 00:22:03,222 --> 00:22:04,156 "I WANT TO TAKE A PICTURE 1060 00:22:04,156 --> 00:22:04,824 WITH YOU. 1061 00:22:04,824 --> 00:22:05,892 THEY CALL ME THE FAKE JOSELINE." 1062 00:22:05,892 --> 00:22:06,926 AND THAT'S ARIEL, THE PERSON 1063 00:22:06,926 --> 00:22:07,594 WHO SAYS-- 1064 00:22:07,594 --> 00:22:08,260 YEAH, THAT'S HER. 1065 00:22:08,260 --> 00:22:08,928 OH, THEY CALL HER 1066 00:22:08,928 --> 00:22:09,629 THE FAKE JOSELINE? 1067 00:22:09,629 --> 00:22:10,296 THAT'S WHAT SHE SAID. 1068 00:22:10,296 --> 00:22:11,163 WHAT DO YOU THINK, JOSELINE? 1069 00:22:11,163 --> 00:22:11,864 DOES SHE LOOK LIKE YOU? 1070 00:22:11,864 --> 00:22:12,532 HELL [bleep] NO. 1071 00:22:12,532 --> 00:22:13,265 THERE WAS A LITTLE BIT-- 1072 00:22:13,265 --> 00:22:13,933 NOTHING? 1073 00:22:13,933 --> 00:22:14,601 NO. 1074 00:22:14,601 --> 00:22:15,267 THE BUTT CHEEKS-- 1075 00:22:15,267 --> 00:22:16,035 SHE HAD THE SAME WIG I BE 1076 00:22:16,035 --> 00:22:17,303 HAVING ON, BUT SHE'S STILL LOOK 1077 00:22:17,303 --> 00:22:18,137 A [bleep] MESS. 1078 00:22:18,137 --> 00:22:19,305 ALL RIGHT, THAT WAS IT. 1079 00:22:19,305 --> 00:22:20,407 SO LET ME ASK YOU THIS, STEVIE. 1080 00:22:20,407 --> 00:22:21,441 WHEN YOU FIRST HEARD ABOUT ALL 1081 00:22:21,441 --> 00:22:22,575 OF THIS--THIS WAS--LIKE, YOU 1082 00:22:22,575 --> 00:22:23,776 GUYS CALLED EACH OTHER BROTHERS. 1083 00:22:23,776 --> 00:22:25,277 DID YOU BELIEVE THAT BENZINO WAS 1084 00:22:25,277 --> 00:22:26,579 EVEN CAPABLE OF THIS? 1085 00:22:26,579 --> 00:22:28,047 I MEAN, YOU KNOW, I DIDN'T 1086 00:22:28,047 --> 00:22:29,315 REALLY THINK TOO MUCH OF IT, 1087 00:22:29,315 --> 00:22:30,116 YOU KNOW WHAT I MEAN? 1088 00:22:30,116 --> 00:22:30,983 PEOPLE LIE. 1089 00:22:30,983 --> 00:22:32,318 EVERYBODY WANTS TO, YOU KNOW, 1090 00:22:32,318 --> 00:22:35,455 CAUSE HAVOC AND MAYHEM. 1091 00:22:35,455 --> 00:22:37,223 SO YOU THINK KARLIE WAS LYING 1092 00:22:37,223 --> 00:22:38,825 WHEN SHE TOLD THIS TO JOSELINE? 1093 00:22:38,825 --> 00:22:40,960 KARLIE'S KNOWN TO BE MESSY. 1094 00:22:40,960 --> 00:22:42,194 SO, KARLIE, DID HE SHOW YOU 1095 00:22:42,194 --> 00:22:42,995 A TAPE OR NOT? 1096 00:22:42,995 --> 00:22:43,963 LIKE, LET'S GET TO THE BOTTOM OF 1097 00:22:43,963 --> 00:22:44,897 THIS ONCE AND FOR ALL. 1098 00:22:44,897 --> 00:22:46,265 YES, HE DID SHOW ME A TAPE, 1099 00:22:46,265 --> 00:22:46,933 NUMBER ONE. 1100 00:22:46,933 --> 00:22:49,902 NUMBER TWO, IF I WAS SO-CALLED 1101 00:22:49,902 --> 00:22:51,337 MESSY, HE WOULDN'T DO A VIDEO 1102 00:22:51,337 --> 00:22:52,304 CALLED SMASHED DA HOMIE 1103 00:22:52,304 --> 00:22:52,972 WITH HER... 1104 00:22:52,972 --> 00:22:53,640 both: LOOK-ALIKE. 1105 00:22:53,640 --> 00:22:54,306 YEAH. 1106 00:22:54,306 --> 00:22:55,074 WELL, HE'S SAYING HE WAS 1107 00:22:55,074 --> 00:22:56,275 INSPIRED BY THE LIE THAT 1108 00:22:56,275 --> 00:22:56,943 YOU TOLD. 1109 00:22:56,943 --> 00:22:58,445 WAS SHE LYING, BENZINO? 1110 00:22:58,445 --> 00:22:59,479 I MEAN, I'VE NEVER SEEN NO 1111 00:22:59,479 --> 00:23:01,280 TAPE OF JOSELINE, AND I DAMN 1112 00:23:01,280 --> 00:23:02,114 SURE DIDN'T-- 1113 00:23:02,114 --> 00:23:03,249 HE SHOWED IT TO ME. 1114 00:23:03,249 --> 00:23:04,551 KNOCK IT OFF. 1115 00:23:04,551 --> 00:23:05,217 KARLIE. 1116 00:23:05,217 --> 00:23:06,352 YES, HE SHOWED IT TO ME. 1117 00:23:06,352 --> 00:23:07,019 KNOCK IT OFF. 1118 00:23:07,019 --> 00:23:08,087 AND IF THAT'S THE CASE, YOU 1119 00:23:08,087 --> 00:23:08,821 WOULDN'T EVEN MAKE 1120 00:23:08,821 --> 00:23:09,656 A [bleep] VIDEO. 1121 00:23:09,656 --> 00:23:10,490 NO, THAT'S NOT TRUE. 1122 00:23:10,490 --> 00:23:11,524 YOU WOULDN'T MAKE A VIDEO 1123 00:23:11,524 --> 00:23:13,460 WITH JOSELINE CALLED SMASHED 1124 00:23:13,460 --> 00:23:14,060 DA HOMIE. 1125 00:23:14,060 --> 00:23:14,794 YOU JUST WOULDN'T DO IT. 1126 00:23:14,794 --> 00:23:15,462 NO, NO, NO. 1127 00:23:15,462 --> 00:23:16,228 WAIT A MINUTE, HE DIDN'T 1128 00:23:16,228 --> 00:23:17,163 SMASH THE HOMIE. 1129 00:23:17,163 --> 00:23:18,097 I DIDN'T SAY I SMASHED 1130 00:23:18,097 --> 00:23:18,865 THE HOMIE. 1131 00:23:18,865 --> 00:23:19,799 I DIDN'T SAY I SMASHED 1132 00:23:19,799 --> 00:23:20,500 THE HOMIE. 1133 00:23:20,500 --> 00:23:21,801 I SAID-- 1134 00:23:21,801 --> 00:23:23,670 I SAID THAT'S WHAT THEY TOLD ME. 1135 00:23:23,670 --> 00:23:25,872 [laughter] 1136 00:23:25,872 --> 00:23:27,073 OH, THAT'S WHAT HE SAID. 1137 00:23:27,073 --> 00:23:28,040 ALL RIGHT, LISTEN, WE'RE NOT 1138 00:23:28,040 --> 00:23:28,875 GONNA GET TO THE BOTTOM OF 1139 00:23:28,875 --> 00:23:29,576 THIS HERE. 1140 00:23:29,576 --> 00:23:30,877 IT'S ONE PERSON'S WORD AGAINST 1141 00:23:30,877 --> 00:23:31,944 ANOTHER WHEN IT COMES TO 1142 00:23:31,944 --> 00:23:33,780 SMASHING THE HOMIE. 1143 00:23:33,780 --> 00:23:34,814 BUT ACCORDING TO MORE THAN ONE 1144 00:23:34,814 --> 00:23:36,483 CAST MEMBER, JOSELINE WASN'T 1145 00:23:36,483 --> 00:23:38,184 THE ONLY ONE BENZINO WAS TRYING 1146 00:23:38,184 --> 00:23:39,351 TO SMASH. 1147 00:23:39,351 --> 00:23:40,487 WATCH THIS CLIP OF SOME OF 1148 00:23:40,487 --> 00:23:41,488 THE OTHER LADIES WHO CLAIM TO 1149 00:23:41,488 --> 00:23:43,122 HAVE GOTTEN HIT UP BY ZINO 1150 00:23:43,122 --> 00:23:43,923 AFTER DARK. 1151 00:23:43,923 --> 00:23:44,757 OH, [bleep]. 1152 00:23:44,757 --> 00:23:45,792 THANK YOU. 1153 00:23:45,792 --> 00:23:46,726 LIKE I TOLD STEVIE, YOU DON'T 1154 00:23:46,726 --> 00:23:47,560 NEED TO BE--TRY TO BE FRIENDS 1155 00:23:47,560 --> 00:23:48,528 WITH NOBODY THAT'S TRYING TO 1156 00:23:48,528 --> 00:23:49,829 [bleep] YOUR BITCH, 'CAUSE YOU 1157 00:23:49,829 --> 00:23:51,498 D.M. ME AT 6:00 IN THE MORNING-- 1158 00:23:51,498 --> 00:23:53,500 YOU TOO? 1159 00:23:53,500 --> 00:23:54,501 OH! 1160 00:23:54,501 --> 00:23:55,502 I GOT--HE CALLED ME AT 4:00 1161 00:23:55,502 --> 00:23:56,503 IN THE MORNING. 1162 00:23:56,503 --> 00:23:57,870 I SAID, "WHO IS THIS?" 1163 00:23:57,870 --> 00:23:59,806 AND HE SAID, "THIS BENZINO. 1164 00:23:59,806 --> 00:24:00,573 I WANT TO"-- 1165 00:24:00,573 --> 00:24:01,240 ARE YOU SERIOUS? 1166 00:24:01,240 --> 00:24:02,108 I SWEAR TO GOD. 1167 00:24:02,108 --> 00:24:03,510 HE WANTED TO--HE KEPT SAYING, 1168 00:24:03,510 --> 00:24:04,410 "SO YOU AND SCRAPPY 1169 00:24:04,410 --> 00:24:05,411 STILL TOGETHER?" 1170 00:24:05,411 --> 00:24:06,278 HE TRIED TO HOLLER THAT NIGHT 1171 00:24:06,278 --> 00:24:06,946 AT AURUMS, THOUGH. 1172 00:24:06,946 --> 00:24:08,180 SO THAT'S WHAT I WOULD SAY-- 1173 00:24:08,180 --> 00:24:09,048 HE TRIED TO HOLLER AT YOU 1174 00:24:09,048 --> 00:24:10,983 AT AURUMS--OH, MY-- 1175 00:24:10,983 --> 00:24:12,752 HE HIT YOU. 1176 00:24:12,752 --> 00:24:13,419 HE HIT ME TWICE. 1177 00:24:13,419 --> 00:24:14,654 AND HE HIT YOU. 1178 00:24:14,654 --> 00:24:15,922 WHAT THE HELL? 1179 00:24:15,922 --> 00:24:17,156 HE TRYING TO [bleep] EVERYBODY 1180 00:24:17,156 --> 00:24:18,625 IN THE CREW. 1181 00:24:18,625 --> 00:24:20,359 [applause] 1182 00:24:20,359 --> 00:24:21,528 THIS MOTHER[bleep] TRYING TO 1183 00:24:21,528 --> 00:24:22,995 LOVE AND HIP-HOP EVERYBODY. 1184 00:24:22,995 --> 00:24:24,096 WELL, GUESS WHAT, THOUGH. 1185 00:24:24,096 --> 00:24:25,131 I DON'T EXPECT ANYTHING FROM 1186 00:24:25,131 --> 00:24:26,398 BENZINO OR STEVIE, 'CAUSE STEVIE 1187 00:24:26,398 --> 00:24:28,034 AND BENZINO--THEY LAY TOGETHER, 1188 00:24:28,034 --> 00:24:28,901 THEY HANG TOGETHER, 1189 00:24:28,901 --> 00:24:30,002 THEY [bleep] BITCHES TOGETHER, 1190 00:24:30,002 --> 00:24:31,103 AND THAT'S JUST WHAT DIRTY 1191 00:24:31,103 --> 00:24:32,104 [...] DO. 1192 00:24:32,104 --> 00:24:32,972 DON'T DO THAT. 1193 00:24:32,972 --> 00:24:33,973 THIS ONE OVER HERE TALKING 1194 00:24:33,973 --> 00:24:35,007 ABOUT HE WANT TO COME TO MY 1195 00:24:35,007 --> 00:24:36,042 DRESSING ROOM. 1196 00:24:36,042 --> 00:24:36,709 HOLD UP. 1197 00:24:36,709 --> 00:24:37,644 I GOT A TEXT RIGHT HERE THAT YOU 1198 00:24:37,644 --> 00:24:38,911 JUST SENT ME RIGHT NOW, THOUGH. 1199 00:24:38,911 --> 00:24:39,879 WHAT'D SHE SAY? 1200 00:24:39,879 --> 00:24:40,613 HOLD ON. 1201 00:24:40,613 --> 00:24:42,048 [laughs] 1202 00:24:42,048 --> 00:24:43,550 SHE SAID, "I THOUGHT YOU WAS 1203 00:24:43,550 --> 00:24:44,951 COMING TO MY DRESSING ROOM." 1204 00:24:44,951 --> 00:24:45,785 THAT WAS JUST, LIKE, TEN 1205 00:24:45,785 --> 00:24:46,986 MINUTES AGO. 1206 00:24:46,986 --> 00:24:47,954 all: OH. 1207 00:24:47,954 --> 00:24:49,355 WHAT'S UP WITH THAT, KARLIE? 1208 00:24:49,355 --> 00:24:50,857 I MEAN, ZINO--YOU KNOW 1209 00:24:50,857 --> 00:24:51,591 HOW WE DO. 1210 00:24:51,591 --> 00:24:52,559 YOU'RE ON; YOU'RE OFF. 1211 00:24:52,559 --> 00:24:54,260 WE'RE ON; WE'RE OFF. 1212 00:24:54,260 --> 00:24:56,062 OH, MY GOSH, THIS IS 1213 00:24:56,062 --> 00:24:56,796 EMBARRASSING. 1214 00:24:56,796 --> 00:24:57,564 ALL RIGHT, ARE YOU JUST 1215 00:24:57,564 --> 00:24:58,565 LOOKING FOR LOVE WHEREVER YOU 1216 00:24:58,565 --> 00:24:59,599 CAN GET IT, BENZINO? 1217 00:24:59,599 --> 00:25:00,833 HAS ANYBODY ELSE OUT THERE BEEN 1218 00:25:00,833 --> 00:25:02,001 D.M.'D BY ZINO? 1219 00:25:02,001 --> 00:25:02,669 THANK YOU! 1220 00:25:02,669 --> 00:25:03,335 OH! 1221 00:25:03,335 --> 00:25:05,037 OH, OH, OH, OH, OH! 1222 00:25:05,037 --> 00:25:06,005 AND, AH, AH. 1223 00:25:06,005 --> 00:25:07,707 LISTEN, DON'T ANSWER THAT. 1224 00:25:07,707 --> 00:25:09,976 ACTUALLY, YOU CAN ANSWER THIS. 1225 00:25:09,976 --> 00:25:11,811 [laughs] 1226 00:25:11,811 --> 00:25:13,680 [laughter] 1227 00:25:13,680 --> 00:25:15,014 SIT DOWN. 1228 00:25:15,014 --> 00:25:16,348 SIT DOWN, ZINO. 1229 00:25:16,348 --> 00:25:17,049 [bleep]. 1230 00:25:17,049 --> 00:25:18,184 GUYS, IT'S TIME FOR OUR 1231 00:25:18,184 --> 00:25:20,987 HASHTAG BATTLE OF THE NIGHT. 1232 00:25:20,987 --> 00:25:22,689 THIS IS OUR BIG SMASH 1233 00:25:22,689 --> 00:25:25,057 THE HOMIE HASHTAG BATTLE. 1234 00:25:25,057 --> 00:25:26,693 IF YOU BELIEVE THAT JOSELINE AND 1235 00:25:26,693 --> 00:25:28,861 BENZINO DID SMASH, TWEET 1236 00:25:28,861 --> 00:25:31,463 @LOVEHIPHIPVH1 WITH 1237 00:25:31,463 --> 00:25:33,499 THE HASHTAG "JOZINO." 1238 00:25:33,499 --> 00:25:34,767 Y'ALL AIN'T [bleep]. 1239 00:25:34,767 --> 00:25:35,635 [laughter] 1240 00:25:35,635 --> 00:25:37,103 [laughing] IF YOU BELIEVE-- 1241 00:25:37,103 --> 00:25:38,971 IF YOU BELIEVE IT WAS SCRAPPY 1242 00:25:38,971 --> 00:25:41,440 AND SHAY THAT DID THE SMASHING, 1243 00:25:41,440 --> 00:25:42,742 TWEET USING THE HASHTAG 1244 00:25:42,742 --> 00:25:45,377 "SCRAPSHAY," OR IF YOU THINK 1245 00:25:45,377 --> 00:25:47,013 THAT STEVIE J. AND MIMI ARE 1246 00:25:47,013 --> 00:25:48,748 SMASHING STILL... 1247 00:25:48,748 --> 00:25:49,649 HE BETTER NOT, 'CAUSE I WILL 1248 00:25:49,649 --> 00:25:50,316 SMASH HIM. 1249 00:25:50,316 --> 00:25:52,151 NO MATTER WHAT THEY SAY, 1250 00:25:52,151 --> 00:25:54,353 TWEET @LOVEHIPHOPVH1 WITH 1251 00:25:54,353 --> 00:25:56,322 THE HASHTAG "MIMIJ." 1252 00:25:56,322 --> 00:25:57,957 SO GO ONLINE RIGHT NOW, GET YOUR 1253 00:25:57,957 --> 00:25:59,191 VOTES IN, AND WE'LL REVEAL 1254 00:25:59,191 --> 00:26:00,627 THE RESULTS LATER ON IN 1255 00:26:00,627 --> 00:26:01,628 THE SHOW. 1256 00:26:01,628 --> 00:26:02,862 WE'VE GOT TO GO TO BREAK. 1257 00:26:02,862 --> 00:26:04,130 MORE TO COME ON LOVE AND 1258 00:26:04,130 --> 00:26:05,998 HIP-HOP: ATLANTA: THE REUNION. 1259 00:26:05,998 --> 00:26:07,399 STAY TUNED. 1260 00:26:07,399 --> 00:26:09,636 [cheers and applause] 1261 00:26:09,636 --> 00:26:11,403 YOU'RE A HO. 1262 00:26:11,403 --> 00:26:12,504 FIX YOUR FACE, BITCH. 1263 00:26:12,504 --> 00:26:13,940 BREAST LIFT, BITCH. 1264 00:26:13,940 --> 00:26:15,074 WITH THEM SAGGY-ASS TITTIES. 1265 00:26:15,074 --> 00:26:15,742 YOU THE FAMILY PET. 1266 00:26:15,742 --> 00:26:16,408 DON'T YOU EVER FORGET. 1267 00:26:16,408 --> 00:26:17,076 BREAST LIFT. 1268 00:26:21,413 --> 00:26:22,649 * THIS IS THE LIFE 1269 00:26:22,649 --> 00:26:25,517 [cheers and applause] 1270 00:26:25,517 --> 00:26:26,385 WELCOME BACK TO LOVE AND 1271 00:26:26,385 --> 00:26:28,120 HIP-HOP: ATLANTA: THE REUNION. 1272 00:26:28,120 --> 00:26:29,889 OKAY, I'M JOINED BY SCRAPPY, 1273 00:26:29,889 --> 00:26:32,158 ERICA, AND BOTH OF THEIR MOMS, 1274 00:26:32,158 --> 00:26:33,826 MIGNON AND MOMMA DEE. 1275 00:26:33,826 --> 00:26:35,361 THESE LADIES WEREN'T SURPRISED 1276 00:26:35,361 --> 00:26:36,395 WHEN SCRAPPY AND ERICA'S 1277 00:26:36,395 --> 00:26:37,664 ENGAGEMENT DIDN'T LAST. 1278 00:26:37,664 --> 00:26:39,531 DID THE MAMAS REALLY KNOW BEST? 1279 00:26:39,531 --> 00:26:41,701 LET'S TAKE A LOOK. 1280 00:26:41,701 --> 00:26:42,568 I MEAN, AT THE END OF 1281 00:26:42,568 --> 00:26:43,936 THE DAY, IT'S OUR RELATIONSHIP. 1282 00:26:43,936 --> 00:26:46,372 EVERYBODY MAMAS IS OVERSTEPPING 1283 00:26:46,372 --> 00:26:48,274 THEY BOUNDARIES. 1284 00:26:48,274 --> 00:26:50,943 ARE YOU HAPPY FOR THE WHOLE 1285 00:26:50,943 --> 00:26:51,744 SITUATION WITH ERICA 1286 00:26:51,744 --> 00:26:52,444 AND SCRAPPY? 1287 00:26:52,444 --> 00:26:53,379 I'M CONTENT. 1288 00:26:53,379 --> 00:26:54,246 I'LL BE HAPPY AFTER 1289 00:26:54,246 --> 00:26:55,715 THE MARRIAGE. 1290 00:26:55,715 --> 00:26:56,548 NOTHING'S EVER ENOUGH 1291 00:26:56,548 --> 00:26:57,216 FOR HER. 1292 00:26:57,216 --> 00:26:58,150 I'M GONNA MARRY THIS LADY 1293 00:26:58,150 --> 00:27:00,452 RIGHT HERE, AND I JUST SEE 1294 00:27:00,452 --> 00:27:01,888 A LOT OF NEGATIVITY, YOU KNOW 1295 00:27:01,888 --> 00:27:03,589 WHAT I'M SAYING? 1296 00:27:03,589 --> 00:27:05,825 BY PROPOSING TO ERICA, MY SON 1297 00:27:05,825 --> 00:27:07,694 IS MAKING THE BIGGEST MISTAKE 1298 00:27:07,694 --> 00:27:08,560 OF HIS LIFE. 1299 00:27:08,560 --> 00:27:10,262 SHE DON'T KNOW HER PLACE, 1300 00:27:10,262 --> 00:27:11,163 AND THAT'S WHERE THE ERROR IS 1301 00:27:11,163 --> 00:27:11,998 RIGHT NOW. 1302 00:27:11,998 --> 00:27:12,799 OH, WHOA, WHOA. 1303 00:27:12,799 --> 00:27:15,802 [all shouting] 1304 00:27:15,802 --> 00:27:18,805 [both yelling indistinctly] 1305 00:27:19,471 --> 00:27:20,139 GO GET IN THE CAR. 1306 00:27:20,139 --> 00:27:20,807 GO GET IN THE-- 1307 00:27:20,807 --> 00:27:21,473 GO GET IN THE CAR. 1308 00:27:21,473 --> 00:27:22,541 GET THE [bleep] OUT MY HOUSE! 1309 00:27:22,541 --> 00:27:24,043 TAKE HER OUT MY HOUSE! 1310 00:27:24,043 --> 00:27:26,012 [bleep] DISRESPECTFUL. 1311 00:27:26,012 --> 00:27:27,046 YOU FEEL ME? 1312 00:27:27,046 --> 00:27:27,947 STOP, STOP, STOP! 1313 00:27:27,947 --> 00:27:28,948 AND SHE HIT MY-- 1314 00:27:28,948 --> 00:27:30,416 STOP, STOP! 1315 00:27:30,416 --> 00:27:31,751 MOMMA, GET IN THE CAR. 1316 00:27:31,751 --> 00:27:33,720 LET THE [bleep] RIDE. 1317 00:27:33,720 --> 00:27:34,854 THAT INSENSITIVE BITCH, 1318 00:27:34,854 --> 00:27:36,522 ERICA, HAD TO STRIKE AGAIN, 1319 00:27:36,522 --> 00:27:37,724 HER AND HER MAMA. 1320 00:27:37,724 --> 00:27:39,926 SMOKE A STRAIGHT SHOOTER, BITCH. 1321 00:27:39,926 --> 00:27:40,793 HEY, MAN. 1322 00:27:40,793 --> 00:27:41,560 YOU BETTER GET YOUR HANDS 1323 00:27:41,560 --> 00:27:42,261 OFF ME, SCRAP. 1324 00:27:42,261 --> 00:27:43,129 DON'T TOUCH MY MAMA. 1325 00:27:43,129 --> 00:27:43,930 THAT MOTHER[bleep] 1326 00:27:43,930 --> 00:27:45,331 GODDAMN BITCH. 1327 00:27:45,331 --> 00:27:48,334 [all yelling indistinctly] 1328 00:27:53,239 --> 00:27:54,406 TALKING ABOUT YOU IS A PIMP. 1329 00:27:54,406 --> 00:27:55,141 THAT'S A HO. 1330 00:27:55,141 --> 00:27:56,508 BITCH, I'LL KICK YOUR ASS. 1331 00:27:56,508 --> 00:27:58,410 HE A PUNK LIKE HIS PUNK MAMA. 1332 00:27:58,410 --> 00:28:00,112 DIE, BITCHES, DIE! 1333 00:28:00,112 --> 00:28:01,480 HE GOING TO HELL. 1334 00:28:01,480 --> 00:28:03,515 OH, MY GOD, ALL RIGHT. 1335 00:28:03,515 --> 00:28:04,884 LET'S START WITH A FAN QUESTION. 1336 00:28:04,884 --> 00:28:06,552 THIS ONE'S TO YOU, ERICA. 1337 00:28:06,552 --> 00:28:08,054 "DO YOU FEEL LIKE YOU WERE WRONG 1338 00:28:08,054 --> 00:28:09,388 FOR GOING OFF ON MOMMA DEE 1339 00:28:09,388 --> 00:28:10,189 AT THE FAMILY DINNER?" 1340 00:28:10,189 --> 00:28:11,523 ABSOLUTELY NOT, 'CAUSE WHAT 1341 00:28:11,523 --> 00:28:13,525 YOU DIDN'T SEE WAS ERICA BEING 1342 00:28:13,525 --> 00:28:15,828 CALLED A BITCH AGAIN. 1343 00:28:15,828 --> 00:28:16,796 IT DIDN'T FULLY COME OUT, 1344 00:28:16,796 --> 00:28:17,663 BECAUSE SCRAP SAID, 1345 00:28:17,663 --> 00:28:18,397 "MA, HOLD ON." 1346 00:28:18,397 --> 00:28:19,065 MOMMA DEE. 1347 00:28:19,065 --> 00:28:19,766 THAT'S NOT TRUE. 1348 00:28:19,766 --> 00:28:20,399 OKAY. 1349 00:28:20,399 --> 00:28:22,168 I NEVER CALLED HER A BITCH. 1350 00:28:22,168 --> 00:28:23,836 HE CHECKED IT, AND THEN ALL OF 1351 00:28:23,836 --> 00:28:24,771 A SUDDEN, SHE JUST CAME FROM 1352 00:28:24,771 --> 00:28:25,772 NOWHERE AND-- 1353 00:28:25,772 --> 00:28:26,773 SO YOU WERE JUST AT THE TABLE 1354 00:28:26,773 --> 00:28:27,473 ALL CALM. 1355 00:28:27,473 --> 00:28:28,674 YOU DIDN'T DO ANYTHING. 1356 00:28:28,674 --> 00:28:29,475 NO, I DIDN'T DO ANYTHING 1357 00:28:29,475 --> 00:28:30,542 AT FIRST. 1358 00:28:30,542 --> 00:28:31,210 OKAY. 1359 00:28:31,210 --> 00:28:32,378 AT FIRST, I DIDN'T. 1360 00:28:32,378 --> 00:28:33,312 BUT AT THIS POINT, 1361 00:28:33,312 --> 00:28:34,280 THEY WERE ENGAGED. 1362 00:28:34,280 --> 00:28:35,647 SCRAPPY HAD MADE HIS DECISION. 1363 00:28:35,647 --> 00:28:36,883 WHY NOT JUST ACCEPT IT? 1364 00:28:36,883 --> 00:28:37,784 I DON'T HAVE TO ACCEPT 1365 00:28:37,784 --> 00:28:39,118 ANYTHING I DON'T LIKE. 1366 00:28:39,118 --> 00:28:41,087 I WOULD NEVER DO THAT. 1367 00:28:41,087 --> 00:28:42,321 ALL RIGHT, WELL... 1368 00:28:42,321 --> 00:28:43,089 [scattered laughter] 1369 00:28:43,089 --> 00:28:45,892 MIGNON, YOU ACTUALLY CALLED IT 1370 00:28:45,892 --> 00:28:46,558 EARLY ON. 1371 00:28:46,558 --> 00:28:47,626 DID YOU EVER ACTUALLY THINK 1372 00:28:47,626 --> 00:28:48,694 THESE TWO WOULD GET MARRIED 1373 00:28:48,694 --> 00:28:49,361 FOR REAL? 1374 00:28:49,361 --> 00:28:51,831 AT FIRST, I DIDN'T, AND THEN 1375 00:28:51,831 --> 00:28:53,365 THE MORE RELATIONSHIP WENT ON, 1376 00:28:53,365 --> 00:28:55,234 THE MORE I SEEN THEM TOGETHER, 1377 00:28:55,234 --> 00:28:56,668 I FELT THAT IT WOULD HAVE 1378 00:28:56,668 --> 00:28:58,204 HAPPENED IF MOMMA DEE WOULD STAY 1379 00:28:58,204 --> 00:28:59,305 IN MOMMA DEE'S PLACE. 1380 00:28:59,305 --> 00:29:00,306 SO SHE NEEDS TO UNDERSTAND SHE 1381 00:29:00,306 --> 00:29:01,640 NOT GONNA DISRESPECT US. 1382 00:29:01,640 --> 00:29:02,909 I'M NOT GONNA GO FOR IT. 1383 00:29:02,909 --> 00:29:04,143 I SAID THAT FOR A LONG TIME. 1384 00:29:04,143 --> 00:29:04,811 [cheers and applause] 1385 00:29:04,811 --> 00:29:07,013 [speaking indistinctly] 1386 00:29:07,013 --> 00:29:08,714 I SAID THAT FOR A LONG TIME. 1387 00:29:08,714 --> 00:29:09,882 IF YOU CALL YOURSELF A QUEEN, 1388 00:29:09,882 --> 00:29:10,883 ACT LIKE A QUEEN. 1389 00:29:10,883 --> 00:29:13,853 [both speaking indistinctly] 1390 00:29:13,853 --> 00:29:14,887 YOU ACT LIKE TRASH, YOU GONNA 1391 00:29:14,887 --> 00:29:16,588 BE KNOWN AS TRASH. 1392 00:29:16,588 --> 00:29:17,890 YOU'RE A PROBLEM TO US, 1393 00:29:17,890 --> 00:29:19,225 AND YOU'RE A PROBLEM TO ME, 1394 00:29:19,225 --> 00:29:20,192 AND I'D LIKE FOR YOU TO 1395 00:29:20,192 --> 00:29:21,393 KNOW WHY. 1396 00:29:21,393 --> 00:29:22,361 SOLVE IT. 1397 00:29:22,361 --> 00:29:23,963 ALL RIGHT, SO, MOMMA DEE, 1398 00:29:23,963 --> 00:29:24,696 THIS QUESTION'S ACTUALLY 1399 00:29:24,696 --> 00:29:25,364 FOR YOU. 1400 00:29:25,364 --> 00:29:26,332 IT'S A FAN QUESTION FROM CHERYL 1401 00:29:26,332 --> 00:29:27,934 D., WHO WANTS TO KNOW, "DO YOU 1402 00:29:27,934 --> 00:29:29,301 THINK YOU WENT TOO FAR WHEN YOU 1403 00:29:29,301 --> 00:29:31,103 TOLD MIGNON TO SMOKE 1404 00:29:31,103 --> 00:29:32,471 A STRAIGHT SHOOTER?" 1405 00:29:32,471 --> 00:29:34,306 I THINK I DID. 1406 00:29:34,306 --> 00:29:35,407 WHAT DOES THAT MEAN EXACTLY? 1407 00:29:35,407 --> 00:29:36,475 IT'S A CRACK PIPE. 1408 00:29:36,475 --> 00:29:37,209 OKAY. 1409 00:29:37,209 --> 00:29:38,077 AND WE ALL KNOW THAT 1410 00:29:38,077 --> 00:29:38,744 MIGNON HAS-- 1411 00:29:38,744 --> 00:29:39,545 MIGNON IS A RECOVERING 1412 00:29:39,545 --> 00:29:40,212 ADDICT. 1413 00:29:40,212 --> 00:29:41,580 I GOT 11 YEARS CLEAN. 1414 00:29:41,580 --> 00:29:42,448 HOW ABOUT HER? 1415 00:29:42,448 --> 00:29:44,050 [cheers and applause] 1416 00:29:44,050 --> 00:29:45,417 MM-HMM, MM-HMM. 1417 00:29:45,417 --> 00:29:46,318 WHATEVER. 1418 00:29:46,318 --> 00:29:49,021 I CAN'T--I CAN'T-- 1419 00:29:49,021 --> 00:29:50,022 ALL RIGHT, WELL, SCRAPPY, 1420 00:29:50,022 --> 00:29:50,857 THE MOTHERS MAY HAVE PLAYED 1421 00:29:50,857 --> 00:29:51,924 A ROLE, BUT ERICA SAID THAT 1422 00:29:51,924 --> 00:29:52,724 THERE WERE TEXTS FROM 1423 00:29:52,724 --> 00:29:53,559 OTHER WOMEN. 1424 00:29:53,559 --> 00:29:54,460 MM-HMM. 1425 00:29:54,460 --> 00:29:55,527 TELL THE TRUTH. 1426 00:29:55,527 --> 00:29:56,695 WERE YOU CHEATING ON ERICA AFTER 1427 00:29:56,695 --> 00:29:57,396 YOU GUYS GOT ENGAGED? 1428 00:29:57,396 --> 00:29:58,064 NO. 1429 00:29:58,064 --> 00:29:59,031 ERICA, DO YOU BELIEVE HIM? 1430 00:29:59,031 --> 00:29:59,866 NO, NO, NOT AT ALL. 1431 00:29:59,866 --> 00:30:00,632 SHE NEVER BELIEVED ME. 1432 00:30:00,632 --> 00:30:01,567 WHY WOULD YOU ASK SOMEBODY-- 1433 00:30:01,567 --> 00:30:02,501 HAVE YOU EVER HEARD OF ANY 1434 00:30:02,501 --> 00:30:03,235 OF THESE WOMEN THAT WERE 1435 00:30:03,235 --> 00:30:03,903 TEXTING HIM? 1436 00:30:03,903 --> 00:30:04,703 DID YOU KNOW WHO THEY WERE? 1437 00:30:04,703 --> 00:30:05,504 YUP, IT WAS ONE OF HIS EXES 1438 00:30:05,504 --> 00:30:06,973 HE HAD JUST SEEN. 1439 00:30:06,973 --> 00:30:08,040 DANA WAS ONE OF HIS HOMEBOY'S 1440 00:30:08,040 --> 00:30:09,241 BABY MAMA. 1441 00:30:09,241 --> 00:30:09,909 all: OOH. 1442 00:30:09,909 --> 00:30:10,776 SO... 1443 00:30:10,776 --> 00:30:11,443 DOES THAT RING 1444 00:30:11,443 --> 00:30:12,211 A BELL, SCRAPPY? 1445 00:30:12,211 --> 00:30:13,345 OKAY, SINCE WE GONNA DO IT 1446 00:30:13,345 --> 00:30:14,580 LIKE THAT, ERICA'S NOT 1447 00:30:14,580 --> 00:30:15,747 A PERFECT PERSON. 1448 00:30:15,747 --> 00:30:16,748 I NEVER SAID I WAS. 1449 00:30:16,748 --> 00:30:18,450 NO, BUT SCRAPPY NEVER AIRS 1450 00:30:18,450 --> 00:30:19,351 OUT ERICA. 1451 00:30:19,351 --> 00:30:20,486 SCRAPPY NEVER AIRS OUT ERICA 1452 00:30:20,486 --> 00:30:22,088 DYSFUNCTIONAL SITUATION. 1453 00:30:22,088 --> 00:30:23,055 WHAT'S MY DYSFUNCTIONAL 1454 00:30:23,055 --> 00:30:24,523 SITUATION? 1455 00:30:24,523 --> 00:30:25,391 DON'T DO THAT, SCRAPPY. 1456 00:30:25,391 --> 00:30:26,158 PLEASE DON'T. 1457 00:30:26,158 --> 00:30:26,926 SOMEBODY HUSBAND SHE WAS 1458 00:30:26,926 --> 00:30:27,593 DEALING WITH. 1459 00:30:27,593 --> 00:30:28,527 ARE YOU SAYING--YOU AIN'T-- 1460 00:30:28,527 --> 00:30:29,761 REALLY? 1461 00:30:29,761 --> 00:30:30,529 I WAS MESSING WITH 1462 00:30:30,529 --> 00:30:31,530 SOMEBODY'S HUSBAND? 1463 00:30:31,530 --> 00:30:32,798 IS THAT WHAT YOU GONNA DO? 1464 00:30:32,798 --> 00:30:33,465 COME ON, GIRL. 1465 00:30:33,465 --> 00:30:34,133 IS THAT WHAT YOU-- 1466 00:30:34,133 --> 00:30:34,800 OKAY, YOU RIGHT. 1467 00:30:34,800 --> 00:30:36,268 THE TRUTH WILL SPEAK FOR ITSELF. 1468 00:30:36,268 --> 00:30:37,336 HEY, YOU GONNA WHIP ME? 1469 00:30:37,336 --> 00:30:38,137 YOU GONNA WHIP ME? 1470 00:30:38,137 --> 00:30:38,971 IT SOUNDS LIKE YOU-- 1471 00:30:38,971 --> 00:30:39,838 YOU'RE THROWING UP SMOKE 1472 00:30:39,838 --> 00:30:41,340 SCREENS RIGHT NOW, SCRAPPY. 1473 00:30:41,340 --> 00:30:42,508 WELL, THERE IS ANOTHER WOMAN 1474 00:30:42,508 --> 00:30:44,010 BESIDES MOMMA DEE WHO DIDN'T 1475 00:30:44,010 --> 00:30:45,244 BELIEVE ERICA WAS THE RIGHT ONE 1476 00:30:45,244 --> 00:30:46,678 FOR SCRAPPY, AND THAT WAS 1477 00:30:46,678 --> 00:30:48,180 SHAY JOHNSON. 1478 00:30:48,180 --> 00:30:49,348 LET'S BRING HER UP. 1479 00:30:49,348 --> 00:30:50,182 COME HERE, BABY. 1480 00:30:50,182 --> 00:30:51,450 [audience jeers] 1481 00:30:51,450 --> 00:30:54,053 [scattered applause] 1482 00:30:54,053 --> 00:30:54,720 HEY, BABY. 1483 00:30:54,720 --> 00:30:57,156 HI. 1484 00:30:57,156 --> 00:30:58,324 SO, SHAY-- 1485 00:30:58,324 --> 00:30:59,926 I'M NOT A PART OF THAT. 1486 00:30:59,926 --> 00:31:01,961 YES, YOU ARE. 1487 00:31:01,961 --> 00:31:02,661 DON'T DO THAT. 1488 00:31:02,661 --> 00:31:03,996 I JUST WANT TO--LIKE, 'CAUSE 1489 00:31:03,996 --> 00:31:04,931 WHERE I'M AT RIGHT NOW, I'M IN 1490 00:31:04,931 --> 00:31:06,165 A GOOD SPACE IN MY LIFE. 1491 00:31:06,165 --> 00:31:06,933 YOU FEEL ME? 1492 00:31:06,933 --> 00:31:07,733 QUIT TEXTING ME. 1493 00:31:07,733 --> 00:31:09,001 LEAVE ME ALONE. 1494 00:31:09,001 --> 00:31:10,002 ARE YOU STILL TEXTING ERICA? 1495 00:31:10,002 --> 00:31:11,170 HELL YEAH. 1496 00:31:11,170 --> 00:31:11,938 YOU STILL TRYING TO GET 1497 00:31:11,938 --> 00:31:12,538 WITH ERICA. 1498 00:31:12,538 --> 00:31:13,205 THAT MY LOVE. 1499 00:31:13,205 --> 00:31:14,206 I LOVE HER, YOU FEEL ME? 1500 00:31:14,206 --> 00:31:15,007 NO, I'M MESSING WITH 1501 00:31:15,007 --> 00:31:15,674 A MARRIED MAN. 1502 00:31:15,674 --> 00:31:16,408 SEE? 1503 00:31:16,408 --> 00:31:17,376 SEE, THAT'S REAL, THOUGH. 1504 00:31:17,376 --> 00:31:18,244 SEE, THAT'S REAL. 1505 00:31:18,244 --> 00:31:19,245 THAT'S REAL. 1506 00:31:19,245 --> 00:31:20,812 I'M GONNA BE REAL. 1507 00:31:20,812 --> 00:31:21,747 I MEAN, WE TEXT, BUT WE 1508 00:31:21,747 --> 00:31:23,115 ARE FRIENDS. 1509 00:31:23,115 --> 00:31:24,350 HE WAS JUST--HE WANTED TO KNOW, 1510 00:31:24,350 --> 00:31:25,717 WHEN HE WAS IN REHAB, IF I WAS 1511 00:31:25,717 --> 00:31:26,518 DEALING WITH ANYBODY. 1512 00:31:26,518 --> 00:31:27,819 HE TELLS ME HE MISS ME, LET ME-- 1513 00:31:27,819 --> 00:31:28,955 HE--HE--WHILE HE WAS 1514 00:31:28,955 --> 00:31:29,655 IN REHAB-- 1515 00:31:29,655 --> 00:31:30,589 AND THAT'S A LIE. 1516 00:31:30,589 --> 00:31:31,390 YOU FEEL ME? 1517 00:31:31,390 --> 00:31:32,124 THAT'S A LIE. 1518 00:31:32,124 --> 00:31:35,127 [all talking at once] 1519 00:31:36,495 --> 00:31:37,163 I DO THAT. 1520 00:31:37,163 --> 00:31:38,497 AND THAT'S REAL. 1521 00:31:38,497 --> 00:31:39,298 AND THEN YOU TEXTING HER? 1522 00:31:39,298 --> 00:31:40,332 YES, HE WAS. 1523 00:31:40,332 --> 00:31:41,133 AND THAT'S REAL. 1524 00:31:41,133 --> 00:31:42,268 LET'S HEAR THE FACTS HERE 1525 00:31:42,268 --> 00:31:43,069 OF THE SITUATION. 1526 00:31:43,069 --> 00:31:44,170 WERE YOU AND SCRAPPY TOGETHER AT 1527 00:31:44,170 --> 00:31:45,204 ALL THIS SEASON WHILE THESE TWO 1528 00:31:45,204 --> 00:31:46,538 WERE ENGAGED? 1529 00:31:46,538 --> 00:31:47,706 WELL, HE WAS TELLING ME THEY 1530 00:31:47,706 --> 00:31:48,975 WEREN'T ENGAGED ANYMORE, SO 1531 00:31:48,975 --> 00:31:50,509 SCRAPPY AND I DID DO A COUPLE 1532 00:31:50,509 --> 00:31:51,843 THINGS, YES, BUT THEY WEREN'T 1533 00:31:51,843 --> 00:31:52,611 TOGETHER ANYMORE. 1534 00:31:52,611 --> 00:31:53,445 IS THAT THE NEW WAY OF SAYING 1535 00:31:53,445 --> 00:31:54,313 YOU SLEPT TOGETHER, "YOU DID 1536 00:31:54,313 --> 00:31:55,314 A COUPLE THINGS"? 1537 00:31:55,314 --> 00:31:56,048 I MEAN, BECAUSE IT'S 1538 00:31:56,048 --> 00:31:56,782 NOTHING NOW. 1539 00:31:56,782 --> 00:31:57,616 IT'S ABSOLUTELY NOTHING NOW. 1540 00:31:57,616 --> 00:31:59,818 LIKE, AT THE END OF THE DAY, 1541 00:31:59,818 --> 00:32:00,752 I MESS WITH PEOPLE THAT MESS 1542 00:32:00,752 --> 00:32:01,487 WITH ME. 1543 00:32:01,487 --> 00:32:03,322 I DONE BEEN THERE WITH ERICA, 1544 00:32:03,322 --> 00:32:04,223 AND, YEAH, I DONE DID A LOT OF 1545 00:32:04,223 --> 00:32:05,324 WRONG, YOU KNOW WHAT I'M-- 1546 00:32:05,324 --> 00:32:06,158 LIKE, SHOOT, I DON'T EVEN KNOW 1547 00:32:06,158 --> 00:32:07,526 WHY SHE TOOK ME BACK SOMETIME, 1548 00:32:07,526 --> 00:32:08,860 BUT AT THE END OF THE DAY, WHEN 1549 00:32:08,860 --> 00:32:11,097 YOU GET IT RIGHT AND YOU TRY, 1550 00:32:11,097 --> 00:32:11,797 YOU KNOW WHAT I'M SAYING, 1551 00:32:11,797 --> 00:32:12,864 AND THAT'S STILL NOT ENOUGH, 1552 00:32:12,864 --> 00:32:14,533 AND YOU BE LIKE--I MEAN, WHAT 1553 00:32:14,533 --> 00:32:16,535 ELSE AM I SUPPOSED TO DO? 1554 00:32:16,535 --> 00:32:17,669 WELL, WHAT YOU SHOULD DO IS 1555 00:32:17,669 --> 00:32:18,737 BREAK UP WITH HER BEFORE YOU 1556 00:32:18,737 --> 00:32:19,405 SLEEP WITH HER. 1557 00:32:19,405 --> 00:32:20,072 I DID DO THAT. 1558 00:32:20,072 --> 00:32:21,007 OH, YOU DID. 1559 00:32:21,007 --> 00:32:21,640 NO, SHE DID THAT. 1560 00:32:21,640 --> 00:32:23,009 ALL RIGHT, WELL, THIS SEASON, 1561 00:32:23,009 --> 00:32:24,076 ERICA AND SHAY FINALLY GOT 1562 00:32:24,076 --> 00:32:25,344 A CHANCE TO TALK ONE-ON-ONE, 1563 00:32:25,344 --> 00:32:27,046 BUT THERE WASN'T MUCH TALKING 1564 00:32:27,046 --> 00:32:28,014 ONCE THE TWO OF THEM CAME 1565 00:32:28,014 --> 00:32:29,181 FACE-TO-FACE. 1566 00:32:29,181 --> 00:32:30,416 LET'S TAKE A LOOK AT WHAT WENT 1567 00:32:30,416 --> 00:32:32,584 DOWN AT KARLIE'S LAUNCH PARTY. 1568 00:32:32,584 --> 00:32:33,385 LET ME BE THE FIRST ONE 1569 00:32:33,385 --> 00:32:34,053 TO START. 1570 00:32:34,053 --> 00:32:36,188 MY ISSUE WITH YOU IS, WHY MY 1571 00:32:36,188 --> 00:32:37,189 NAME KEEP BEING IN YOUR MOUTH? 1572 00:32:37,189 --> 00:32:38,324 I CAME TO THE SCENE WITH 1573 00:32:38,324 --> 00:32:39,591 RESPECT, BUT SOON AS THIS BUM 1574 00:32:39,591 --> 00:32:40,826 BITCH CAME TALKING [bleep] ABOUT 1575 00:32:40,826 --> 00:32:41,927 ME, HAVING HER NAME IN HER 1576 00:32:41,927 --> 00:32:43,195 MOUTH, BITCH, I DON'T GIVE A 1577 00:32:43,195 --> 00:32:44,096 [bleep] WITH WHAT WE SUPPOSED TO 1578 00:32:44,096 --> 00:32:44,763 BE TALKING ABOUT. 1579 00:32:44,763 --> 00:32:45,597 IT'S ON NOW BECAUSE 1580 00:32:45,597 --> 00:32:46,598 YOU DISRESPECTED. 1581 00:32:46,598 --> 00:32:47,433 ERICA. 1582 00:32:47,433 --> 00:32:49,735 WHAT YOU GONNA DO? 1583 00:32:49,735 --> 00:32:51,237 SHUT THE [bleep] UP! 1584 00:32:51,237 --> 00:32:52,104 WHAT YOU WANT TO DO? 1585 00:32:52,104 --> 00:32:52,771 WHAT THE [bleep]? 1586 00:32:52,771 --> 00:32:53,439 BITCH. 1587 00:32:53,439 --> 00:32:55,607 [shouting indistinctly] 1588 00:32:55,607 --> 00:32:56,275 [glass bangs] 1589 00:32:56,275 --> 00:32:57,643 WHEN I SEE YOUR ASS, HO. 1590 00:32:57,643 --> 00:33:00,646 [all shouting indistinctly] 1591 00:33:03,482 --> 00:33:05,051 COME ON, WHAT YOU WANT TO DO? 1592 00:33:05,051 --> 00:33:06,452 BRING YOUR ASS OUT! 1593 00:33:06,452 --> 00:33:09,921 BRING YOUR ASS OUT, BITCH! 1594 00:33:09,921 --> 00:33:11,223 SHAY, I KNOW YOU'VE EXPRESSED 1595 00:33:11,223 --> 00:33:12,491 WANTING TO SAY CERTAIN THINGS. 1596 00:33:12,491 --> 00:33:13,259 YOU FEEL LIKE YOU'VE GOTTEN 1597 00:33:13,259 --> 00:33:14,493 ALL--IT ALL OFF YOUR CHEST. 1598 00:33:14,493 --> 00:33:15,494 I'M--SHE'S NOT GONNA 1599 00:33:15,494 --> 00:33:16,362 EVER LISTEN. 1600 00:33:16,362 --> 00:33:17,063 WE NOT GONNA BE FRIENDS. 1601 00:33:17,063 --> 00:33:17,696 THERE'S NOTHING ELSE TO 1602 00:33:17,696 --> 00:33:18,464 TALK ABOUT. 1603 00:33:18,464 --> 00:33:19,165 I'M NOT WITH HIM. 1604 00:33:19,165 --> 00:33:20,332 SHE'S NOT WITH HIM. 1605 00:33:20,332 --> 00:33:21,267 IT DOESN'T REALLY MATTER IF THEY 1606 00:33:21,267 --> 00:33:22,234 GOT BACK TOGETHER OR NOT. 1607 00:33:22,234 --> 00:33:23,369 THAT'S NOT MY BUSINESS ANYMORE. 1608 00:33:23,369 --> 00:33:24,436 I'VE MOVED FORWARD. 1609 00:33:24,436 --> 00:33:25,904 I'M DATING SOMEBODY ELSE. 1610 00:33:25,904 --> 00:33:26,805 SO IT JUST IS WHAT IT IS. 1611 00:33:26,805 --> 00:33:27,473 GOOD FOR YOU. 1612 00:33:27,473 --> 00:33:28,507 [chortles] 1613 00:33:28,507 --> 00:33:29,241 'CAUSE SHE COULDN'T 1614 00:33:29,241 --> 00:33:29,908 KEEP HERS. 1615 00:33:29,908 --> 00:33:31,777 [laughs mockingly] 1616 00:33:31,777 --> 00:33:32,744 GIRL, I TAKE YOURS. 1617 00:33:32,744 --> 00:33:33,412 [laughs mockingly] 1618 00:33:33,412 --> 00:33:34,546 YOU WISH YOU COULD WITH THEM 1619 00:33:34,546 --> 00:33:36,282 SAGGY-ASS TITTIES. 1620 00:33:36,282 --> 00:33:37,249 BREAST LIFT, BITCH. 1621 00:33:37,249 --> 00:33:38,617 FIX YOUR FACE, BITCH. 1622 00:33:38,617 --> 00:33:40,352 YOU UGLY AS [bleep]. 1623 00:33:40,352 --> 00:33:41,887 BREAST LIFT. 1624 00:33:41,887 --> 00:33:42,921 YOUR MAN GONNA PAY FOR IT. 1625 00:33:42,921 --> 00:33:43,755 WHY YOU TALKING [bleep]? 1626 00:33:43,755 --> 00:33:45,091 YEAH, AND I GOT YOURS ANYTIME 1627 00:33:45,091 --> 00:33:45,924 I WANT HIM. 1628 00:33:45,924 --> 00:33:46,658 GIRL, BYE, HE GOT-- 1629 00:33:46,658 --> 00:33:48,260 YES, YES. 1630 00:33:48,260 --> 00:33:49,861 YES, I GOT--ANYTIME. 1631 00:33:49,861 --> 00:33:51,363 ANYTIME, BABY. 1632 00:33:51,363 --> 00:33:52,698 [both talking at once] 1633 00:33:52,698 --> 00:33:54,100 YOU NEVER HAD HIM. 1634 00:33:54,100 --> 00:33:55,301 NEXT, WE'VE GOT A SPECIAL 1635 00:33:55,301 --> 00:33:56,835 PERFORMANCE FROM K MICHELLE. 1636 00:33:56,835 --> 00:33:58,104 WE'LL BE BACK WITH MORE LOVE AND 1637 00:33:58,104 --> 00:34:01,707 HIP-HOP: ATLANTA: THE REUNION. 1638 00:34:01,707 --> 00:34:02,774 [percussive music] 1639 00:34:02,774 --> 00:34:04,743 ♪ 1640 00:34:04,743 --> 00:34:06,678 * WHATEVER YOU LIKE 1641 00:34:06,678 --> 00:34:08,514 ♪ YEAH, YEAH 1642 00:34:08,514 --> 00:34:10,516 *THIS IS THE LIFE ♪ 1643 00:34:12,951 --> 00:34:14,220 * THIS IS THE LIFE 1644 00:34:14,220 --> 00:34:17,223 [cheers and applause] 1645 00:34:18,324 --> 00:34:20,025 WELCOME BACK TO PART TWO 1646 00:34:20,025 --> 00:34:21,327 OF LOVE AND HIP-HOP: ATLANTA: 1647 00:34:21,327 --> 00:34:22,628 THE REUNION. 1648 00:34:22,628 --> 00:34:24,263 AS SOME OF YOU MAY HAVE ALREADY 1649 00:34:24,263 --> 00:34:25,997 HEARD, ONE OF OUR CAST MEMBERS 1650 00:34:25,997 --> 00:34:27,133 IS MOVING ON FROM OUR 1651 00:34:27,133 --> 00:34:28,334 ATLANTA SHOW. 1652 00:34:28,334 --> 00:34:30,136 K MICHELLE WILL NOT BE RETURNING 1653 00:34:30,136 --> 00:34:31,137 NEXT SEASON. 1654 00:34:31,137 --> 00:34:31,937 [audience groans] 1655 00:34:31,937 --> 00:34:33,572 YEAH, AND WHILE THE BAD NEWS IS 1656 00:34:33,572 --> 00:34:34,806 THAT K MICHELLE IS LEAVING 1657 00:34:34,806 --> 00:34:36,942 ATLANTA, SHE IS RELOCATING TO 1658 00:34:36,942 --> 00:34:38,144 NEW YORK, WHERE SHE WILL BE 1659 00:34:38,144 --> 00:34:39,645 JOINING THE CAST OF LOVE AND 1660 00:34:39,645 --> 00:34:41,347 HIP-HOP: NEW YORK. 1661 00:34:41,347 --> 00:34:43,849 [cheers and applause] 1662 00:34:43,849 --> 00:34:45,417 YUP, BUT BEFORE SHE GOES, WE 1663 00:34:45,417 --> 00:34:47,519 HAVE A VERY SPECIAL PERFORMANCE 1664 00:34:47,519 --> 00:34:48,654 FROM HER TONIGHT. 1665 00:34:48,654 --> 00:34:49,821 FROM HERATLANTIC RECORDS 1666 00:34:49,821 --> 00:34:51,923 RELEASE, REBELLIOUS SOUL, IN 1667 00:34:51,923 --> 00:34:54,193 STORES NOW, GIVE IT UP FOR OUR 1668 00:34:54,193 --> 00:34:56,528 VERY OWN K MICHELLE, PERFORMING 1669 00:34:56,528 --> 00:34:59,165 HER HIT SINGLE V.S.O.P. 1670 00:34:59,165 --> 00:35:02,168 [cheers and applause] 1671 00:35:05,271 --> 00:35:06,172 * WE GONNA LIGHT 1672 00:35:06,172 --> 00:35:08,674 ♪ SOME CANDLES, BABY 1673 00:35:08,674 --> 00:35:12,244 ♪ POUR SOME HENNEY 1674 00:35:12,244 --> 00:35:15,181 ♪ YEAH 1675 00:35:15,181 --> 00:35:16,982 ♪ SING MY SONG 1676 00:35:16,982 --> 00:35:18,417 ♪ OH, OH 1677 00:35:18,417 --> 00:35:22,754 ♪ OH, YEAH 1678 00:35:22,754 --> 00:35:24,656 ♪ HIT THE LIGHTS 1679 00:35:24,656 --> 00:35:26,825 ♪ CAN'T LET NO ONE SEE ME ♪ 1680 00:35:26,825 --> 00:35:28,860 ♪ GET DOWN 1681 00:35:28,860 --> 00:35:30,296 ♪ IT'S ALL RIGHT ♪ 1682 00:35:30,296 --> 00:35:31,563 ♪ I KNOW THEY THINK 1683 00:35:31,563 --> 00:35:34,233 ♪ I GET AROUND 1684 00:35:34,233 --> 00:35:36,001 ♪ YOU AND I 1685 00:35:36,001 --> 00:35:37,068 ♪ GOT SOMETHING 1686 00:35:37,068 --> 00:35:40,206 ♪ THEY CAN'T KNOW ABOUT ♪ 1687 00:35:40,206 --> 00:35:42,608 ♪ REALLY ONLY HEAVEN KNOWS 1688 00:35:42,608 --> 00:35:43,842 ♪ MY HEART 1689 00:35:43,842 --> 00:35:44,910 ♪ 'CAUSE YOU KNOW ♪ 1690 00:35:44,910 --> 00:35:48,680 ♪ THIS AIN'T AN ORDINARY LOVE ♪ 1691 00:35:48,680 --> 00:35:50,816 ♪ WE GOT SO MUCH HISTORY 1692 00:35:50,816 --> 00:35:53,852 ♪ IN THE STORIES ABOUT US 1693 00:35:53,852 --> 00:35:56,222 ♪ SO COME ON OVER, BABY 1694 00:35:56,222 --> 00:35:56,955 * WE GONNA LIGHT 1695 00:35:56,955 --> 00:35:59,525 ♪ SOME CANDLES TONIGHT 1696 00:35:59,525 --> 00:36:00,326 * WE GONNA LIGHT 1697 00:36:00,326 --> 00:36:03,595 ♪ SOME CANDLES, YEAH 1698 00:36:03,595 --> 00:36:05,964 ♪WHATEVER YOU LIKE ♪ 1699 00:36:05,964 --> 00:36:07,433 * VERY SPECIAL 1700 00:36:07,433 --> 00:36:08,700 ♪ GOT SOME HENNEY 1701 00:36:08,700 --> 00:36:09,635 ♪ CHILLIN' ON ICE ♪ 1702 00:36:09,635 --> 00:36:10,502 * GOT SOME HENNEY 1703 00:36:10,502 --> 00:36:11,837 ♪ CHILLIN' ON ICE ♪ 1704 00:36:11,837 --> 00:36:14,740 * VERY SPECIAL 1705 00:36:14,740 --> 00:36:15,641 * HOPE YOU MAKE THE REST 1706 00:36:15,641 --> 00:36:17,476 ♪ OF MY LIFE 1707 00:36:17,476 --> 00:36:23,114 ♪ VERY SPECIAL 1708 00:36:23,114 --> 00:36:25,684 ♪ ALL NIGHT 1709 00:36:25,684 --> 00:36:27,553 ♪ WARM MY BED 1710 00:36:27,553 --> 00:36:29,255 ♪ IT'S A LITTLE COLD ♪ 1711 00:36:29,255 --> 00:36:31,423 ♪ ON YOUR SHOULDER 1712 00:36:31,423 --> 00:36:33,158 ♪ MAMA SAID, YEAH 1713 00:36:33,158 --> 00:36:35,026 ♪ I WOULD UNDERSTAND 1714 00:36:35,026 --> 00:36:37,128 ♪ WHEN I'M OLDER ♪ 1715 00:36:37,128 --> 00:36:38,930 ♪ IN MY HEAD 1716 00:36:38,930 --> 00:36:40,966 ♪ EVEN IF YOU TELL ME 1717 00:36:40,966 --> 00:36:43,101 ♪ IT'S OVER ♪ 1718 00:36:43,101 --> 00:36:45,170 ♪ I'LL PRETEND YOU TOLD ME ♪ 1719 00:36:45,170 --> 00:36:46,638 ♪ I'M YOUR ALL ♪ 1720 00:36:46,638 --> 00:36:47,839 ♪ 'CAUSE YOU KNOW ♪ 1721 00:36:47,839 --> 00:36:51,743 ♪ THIS AIN'T AN ORDINARY LOVE ♪ 1722 00:36:51,743 --> 00:36:53,745 ♪ WE GOT SO MUCH HISTORY 1723 00:36:53,745 --> 00:36:56,582 ♪ IN THE STORIES ABOUT US 1724 00:36:56,582 --> 00:36:59,285 ♪ SO COME ON OVER 1725 00:36:59,285 --> 00:37:00,852 * GONNA LIGHT SOME CANDLES 1726 00:37:00,852 --> 00:37:02,821 * WE GONNA LIGHT 1727 00:37:02,821 --> 00:37:06,525 ♪ SOME CANDLES, BABY 1728 00:37:06,525 --> 00:37:08,460 ♪ WHATEVER YOU LIKE 1729 00:37:08,460 --> 00:37:10,462 ♪ YEAH, BABY 1730 00:37:10,462 --> 00:37:12,498 ♪ YEAH 1731 00:37:12,498 --> 00:37:13,565 ♪ GOT SOME HENNEY 1732 00:37:13,565 --> 00:37:14,633 ♪ CHILLIN' ON ICE ♪ 1733 00:37:14,633 --> 00:37:15,801 * VERY SPECIAL 1734 00:37:15,801 --> 00:37:17,369 * OH 1735 00:37:17,369 --> 00:37:18,570 ♪ I HOPE YOU MAKE THE REST 1736 00:37:18,570 --> 00:37:20,372 ♪ OF MY LIFE 1737 00:37:20,372 --> 00:37:26,011 ♪ VERY SPECIAL 1738 00:37:26,011 --> 00:37:27,212 ♪ ALL NIGHT 1739 00:37:27,212 --> 00:37:27,979 *HE SUPPOSED TO BE ♪ 1740 00:37:27,979 --> 00:37:28,647 ♪ WITH YOU 1741 00:37:28,647 --> 00:37:29,515 ♪ THAT WHAT EVERYBODY 1742 00:37:29,515 --> 00:37:30,181 ♪ GONNA TELL ME 1743 00:37:30,181 --> 00:37:31,317 ♪ BUT I CAN'T REALLY COUNT ♪ 1744 00:37:31,317 --> 00:37:32,318 ♪ ON WHAT EVERYBODY GONNA 1745 00:37:32,318 --> 00:37:33,118 ♪ TELL ME 1746 00:37:33,118 --> 00:37:34,320 ♪ SHE AIN'T SEEN HER BABY ♪ 1747 00:37:34,320 --> 00:37:35,186 ♪ IN A COUPLE DAYS 1748 00:37:35,186 --> 00:37:36,221 * A COUPLE DAYS 1749 00:37:36,221 --> 00:37:37,155 * I'M LOOKING AT MY BABY ♪ 1750 00:37:37,155 --> 00:37:37,956 ♪ RIGHT UP IN HIS FACE 1751 00:37:37,956 --> 00:37:38,890 * IN HIS FACE 1752 00:37:38,890 --> 00:37:40,326 ♪ FLOWERS AND GIFTS 1753 00:37:40,326 --> 00:37:41,827 ♪ RESTAURANTS 1754 00:37:41,827 --> 00:37:42,928 ♪ I SWEAR HE BUY ME 1755 00:37:42,928 --> 00:37:44,663 ♪ ANYTHING I WANT 1756 00:37:44,663 --> 00:37:46,798 ♪ THAT'S WHY I'M SO QUICK ♪ 1757 00:37:46,798 --> 00:37:48,834 ♪ TO PUT THAT MUSIC ON FOR HIM 1758 00:37:48,834 --> 00:37:50,068 ♪ LISTEN TO 1759 00:37:50,068 --> 00:37:53,939 ♪ BABY 1760 00:37:53,939 --> 00:37:54,840 ♪ WE GONNA LIGHT 1761 00:37:54,840 --> 00:37:58,143 * VERY SPECIAL 1762 00:37:58,143 --> 00:37:59,978 * WHATEVER YOU LIKE 1763 00:37:59,978 --> 00:38:03,214 ♪ YEAH, YEAH 1764 00:38:03,214 --> 00:38:07,185 * VERY SPECIAL 1765 00:38:07,185 --> 00:38:11,923 * OH, OH, OH, YEAH 1766 00:38:11,923 --> 00:38:15,594 ♪ALL NIGHT ♪ 1767 00:38:15,594 --> 00:38:16,261 ♪ YEAH 1768 00:38:16,261 --> 00:38:18,497 [cheers and applause] 1769 00:38:18,497 --> 00:38:20,031 THANK YOU. 1770 00:38:20,031 --> 00:38:21,700 GIVE IT UP FOR K MICHELLE. 1771 00:38:21,700 --> 00:38:24,436 [cheers and applause] 1772 00:38:24,436 --> 00:38:25,404 WE LOVE YOU. 1773 00:38:25,404 --> 00:38:26,237 WE GONNA MISS YOU. 1774 00:38:26,237 --> 00:38:26,972 THANK Y'ALL FOR THE 1775 00:38:26,972 --> 00:38:29,475 OPPORTUNITY, AND I WISH ALL OF 1776 00:38:29,475 --> 00:38:30,976 Y'ALL THE BEST, AND-- 1777 00:38:30,976 --> 00:38:32,143 I'M SO EMOTIONAL. 1778 00:38:32,143 --> 00:38:33,745 YOU KNOW I BE CRYING AND CRAZY. 1779 00:38:33,745 --> 00:38:34,413 BUT... 1780 00:38:34,413 --> 00:38:35,180 [laughs] 1781 00:38:35,180 --> 00:38:36,247 THANK Y'ALL FOR DEALING WITH ME 1782 00:38:36,247 --> 00:38:37,649 AND THIS BIG-ASS MOUTH. 1783 00:38:37,649 --> 00:38:38,617 [laughter] 1784 00:38:38,617 --> 00:38:39,284 ALL RIGHT. 1785 00:38:39,284 --> 00:38:39,951 I LOVE Y'ALL. 1786 00:38:39,951 --> 00:38:41,119 DON'T GO ANYWHERE. 1787 00:38:41,119 --> 00:38:42,287 WE HAVE GOT MORE LOVE AND 1788 00:38:42,287 --> 00:38:44,122 HIP-HIP: ATLANTA: THE REUNION 1789 00:38:44,122 --> 00:38:45,190 COMING UP. 1790 00:38:45,190 --> 00:38:47,959 [cheers and applause] 1791 00:38:47,959 --> 00:38:49,561 IS JOSELINE'S MOUTH SOMETHING 1792 00:38:49,561 --> 00:38:50,796 YOU LOVE ABOUT HER? 1793 00:38:50,796 --> 00:38:51,463 YEAH, SOMETIMES. 1794 00:38:51,463 --> 00:38:52,898 HER MOUTHING OFF. 1795 00:38:52,898 --> 00:38:54,400 IS JOSELINE'S MOUTHING OFF 1796 00:38:54,400 --> 00:38:55,200 SOMETHING YOU LOVE ABOUT HER? 1797 00:38:55,200 --> 00:38:57,202 *THIS IS THE LIFE ♪ 1798 00:38:59,571 --> 00:39:00,639 * THIS IS THE LIFE 1799 00:39:00,639 --> 00:39:03,709 [cheers and applause] 1800 00:39:05,276 --> 00:39:06,412 WE ARE BACK WITH LOVE AND 1801 00:39:06,412 --> 00:39:08,113 HIP-HOP: ATLANTA: THE REUNION, 1802 00:39:08,113 --> 00:39:09,515 AND SCRAPPY AND ERICA ARE NOT 1803 00:39:09,515 --> 00:39:10,181 WITH US. 1804 00:39:10,181 --> 00:39:11,016 UNFORTUNATELY, THEY HAD TO 1805 00:39:11,016 --> 00:39:13,251 LEAVE DUE TO A FAMILY EMERGENCY. 1806 00:39:13,251 --> 00:39:14,052 WE HOPE EVERYTHING'S OKAY 1807 00:39:14,052 --> 00:39:14,953 WITH THEM. 1808 00:39:14,953 --> 00:39:16,455 SO THE SELF-PROCLAIMED BADDEST 1809 00:39:16,455 --> 00:39:18,557 BOOSH OF ATLANTA HAD A LOT TO 1810 00:39:18,557 --> 00:39:19,791 SAY THIS SEASON. 1811 00:39:19,791 --> 00:39:21,259 SOMETIMES SHE WAS FUNNY. 1812 00:39:21,259 --> 00:39:22,561 OTHER TIMES, SHE WAS RAW AND 1813 00:39:22,561 --> 00:39:24,430 UNCENSORED, BUT ALL THE TIME, 1814 00:39:24,430 --> 00:39:25,997 SHE WAS DOWNRIGHT ENTERTAINING. 1815 00:39:25,997 --> 00:39:27,065 LET'S TAKE A LOOK AT SOME 1816 00:39:27,065 --> 00:39:28,567 CLASSIC CLIPS FROM 1817 00:39:28,567 --> 00:39:31,202 JOSELINE HERNANDEZ, BABY. 1818 00:39:31,202 --> 00:39:32,337 DON'T BE TOUCHING UP ON ME. 1819 00:39:32,337 --> 00:39:33,238 YOU WANT ME TO SIT UP HERE AND 1820 00:39:33,238 --> 00:39:34,740 WASTE MY TIME WITH YOUR MAID. 1821 00:39:34,740 --> 00:39:35,474 SHE NEED TO COME CLEAN MY 1822 00:39:35,474 --> 00:39:36,141 CAR, THOUGH. 1823 00:39:36,141 --> 00:39:37,042 THAT WHAT SHE NEED TO DO. 1824 00:39:37,042 --> 00:39:38,176 WHY WOULD I SMASH SOMEBODY 1825 00:39:38,176 --> 00:39:39,177 THAT AIN'T GOT NO NAME? 1826 00:39:39,177 --> 00:39:40,078 I NEED A NECK. 1827 00:39:40,078 --> 00:39:41,713 I NEED TO LICK ON YOUR NECK. 1828 00:39:41,713 --> 00:39:42,748 LISTEN, I DON'T TALK TO 1829 00:39:42,748 --> 00:39:43,649 THE HELP. 1830 00:39:43,649 --> 00:39:44,716 YOU NEVER GONNA DO A SONG 1831 00:39:44,716 --> 00:39:45,651 WITH ME, JOSELINE... 1832 00:39:45,651 --> 00:39:46,952 BITCH, YOU WOULD DIE, BE BORN 1833 00:39:46,952 --> 00:39:48,219 AGAIN, DIE AGAIN, AND BE BORN 1834 00:39:48,219 --> 00:39:49,655 AGAIN BEFORE I DO A SONG WITH 1835 00:39:49,655 --> 00:39:50,722 YOU, BITCH. 1836 00:39:50,722 --> 00:39:52,223 I'M NOT GONNA BE ANYWHERE FROM 1837 00:39:52,223 --> 00:39:53,792 10 YEARS TO 50 YEARS. 1838 00:39:53,792 --> 00:39:55,226 I'M GONNA BE A OLD LADY WITHOUT 1839 00:39:55,226 --> 00:39:56,595 NO HAIR, GRAY HAIRS ON MY 1840 00:39:56,595 --> 00:39:58,063 [bleep] BEFORE YOU GIVE ME 1841 00:39:58,063 --> 00:39:58,730 A COMMITMENT. 1842 00:39:58,730 --> 00:39:59,765 I LIKE [bleep] TOO, BUT 1843 00:39:59,765 --> 00:40:00,999 STILL, DAMN. 1844 00:40:00,999 --> 00:40:01,933 I NEED [bleep]. 1845 00:40:01,933 --> 00:40:02,868 [laughter] 1846 00:40:02,868 --> 00:40:03,569 AIN'T NO WAY. 1847 00:40:03,569 --> 00:40:04,636 BITCH, I CAN'T GO TWO DAYS 1848 00:40:04,636 --> 00:40:06,304 WITH NO [bleep]. 1849 00:40:06,304 --> 00:40:08,173 I GETS BEEFCAKE EVERY DAY. 1850 00:40:08,173 --> 00:40:09,407 BYE, BITCH. 1851 00:40:09,407 --> 00:40:10,208 [laughs] 1852 00:40:10,208 --> 00:40:12,343 JOSELINE, YOU WILL SAY 1853 00:40:12,343 --> 00:40:13,845 ANYTHING TO ANYBODY. 1854 00:40:13,845 --> 00:40:14,946 LET ME TELL YOU. 1855 00:40:14,946 --> 00:40:16,948 MY MOUTH IS A LETHAL WEAPON. 1856 00:40:16,948 --> 00:40:18,517 LIKE, I HAVE TO BE VERY CAREFUL 1857 00:40:18,517 --> 00:40:19,451 OF WHAT I SAY. 1858 00:40:19,451 --> 00:40:20,819 AND I DON'T MEAN NO HARM. 1859 00:40:20,819 --> 00:40:21,553 REALLY? 1860 00:40:21,553 --> 00:40:22,654 STEVIE, SHE DON'T MEAN NO HARM? 1861 00:40:22,654 --> 00:40:24,255 'CAUSE SHE BE GOING AT YOU. 1862 00:40:24,255 --> 00:40:25,423 I MEAN NO HARM. 1863 00:40:25,423 --> 00:40:26,357 I MEAN, I GOT THAT RHINOCEROS 1864 00:40:26,357 --> 00:40:27,158 SKIN, YOU KNOW? 1865 00:40:27,158 --> 00:40:29,094 ALL RIGHT, BUT IS JOSELINE'S 1866 00:40:29,094 --> 00:40:30,028 MOUTH SOMETHING YOU LOVE 1867 00:40:30,028 --> 00:40:30,762 ABOUT HER? 1868 00:40:30,762 --> 00:40:31,429 YEAH, SOMETIMES. 1869 00:40:31,429 --> 00:40:32,964 HER MOUTHING OFF. 1870 00:40:32,964 --> 00:40:35,200 IS JOSELINE'S MOUTHING OFF 1871 00:40:35,200 --> 00:40:36,668 SOMETHING YOU LOVE ABOUT HER? 1872 00:40:36,668 --> 00:40:39,204 JUST--BY THE WAY, 1873 00:40:39,204 --> 00:40:40,839 I HATE [bleep]. 1874 00:40:40,839 --> 00:40:41,707 OH. 1875 00:40:41,707 --> 00:40:42,373 TRUST ME. 1876 00:40:42,373 --> 00:40:43,441 T.M.I. 1877 00:40:43,441 --> 00:40:44,375 THAT'S TOO MUCH INFORMATION. 1878 00:40:44,375 --> 00:40:45,977 OKAY, IT'S BEEN A HECK OF A RIDE 1879 00:40:45,977 --> 00:40:47,178 FOR ALL OF US THIS SEASON ON 1880 00:40:47,178 --> 00:40:48,680 LOVE AND HIP-HOP: ATLANTA. 1881 00:40:48,680 --> 00:40:50,015 I WANT TO THANK ZO HARRIS 1882 00:40:50,015 --> 00:40:51,750 AND THE REUNION SHOW BAND. 1883 00:40:51,750 --> 00:40:53,084 [cheers and applause] 1884 00:40:53,084 --> 00:40:54,452 I WANT TO THANK THE CAST. 1885 00:40:54,452 --> 00:40:55,987 THANK YOU SO MUCH, GUYS. 1886 00:40:55,987 --> 00:40:57,489 BUT I ESPECIALLY WANT TO THANK 1887 00:40:57,489 --> 00:40:58,524 YOU GUYS, THE FANS, FOR 1888 00:40:58,524 --> 00:41:00,592 CONTINUING TO TUNE IN EVERY WEEK 1889 00:41:00,592 --> 00:41:01,627 AND SUPPORTING US. 1890 00:41:01,627 --> 00:41:03,595 PLEASE JOIN US THIS FALL WHEN 1891 00:41:03,595 --> 00:41:05,196 LOVE AND HIP-HOP RETURNS 1892 00:41:05,196 --> 00:41:06,064 TO NEW YORK. 1893 00:41:06,064 --> 00:41:07,533 I'M YOUR HOST AND EXECUTIVE 1894 00:41:07,533 --> 00:41:09,768 PRODUCER, MONA SCOTT YOUNG, 1895 00:41:09,768 --> 00:41:11,402 AND I'LL SEE YOU NEXT TIME. 1896 00:41:11,402 --> 00:41:14,405 [cheers and applause] 1897 00:41:14,405 --> 00:41:15,406 [percussive music] 1898 00:41:15,406 --> 00:41:21,913 ♪ 1899 00:41:23,882 --> 00:41:24,616 BENZINO SAID THAT HE HAD 1900 00:41:24,616 --> 00:41:25,751 NEVER SHOWN YOU THE VIDEO. 1901 00:41:25,751 --> 00:41:27,018 AND I WANT TO TELL YOU. 1902 00:41:27,018 --> 00:41:28,554 I DON'T HAVE--I DON'T HAVE 1903 00:41:28,554 --> 00:41:29,688 A PORN VIDEO, 'CAUSE I'VE 1904 00:41:29,688 --> 00:41:30,388 NEVER GOT-- 1905 00:41:30,388 --> 00:41:31,590 EVERYBODY KNOW I WAS A STRIPPER, 1906 00:41:31,590 --> 00:41:32,558 BUT I NEVER GOT TO THE POINT 1907 00:41:32,558 --> 00:41:33,692 TO DO PORN. 1908 00:41:33,692 --> 00:41:35,426 I DO PORN ONLY FOR ONE PERSON, 1909 00:41:35,426 --> 00:41:36,728 AND THAT WOULD BE STEVIE. 1910 00:41:36,728 --> 00:41:38,196 THANK YOU FOR SHARING. 1911 00:41:38,196 --> 00:41:39,364 BUT I HAD--IT WASN'T A PORN 1912 00:41:39,364 --> 00:41:40,599 TAPE, SO LET'S GET THAT CLEAR, 1913 00:41:40,599 --> 00:41:41,700 EVERYBODY, OKAY? 1914 00:41:41,700 --> 00:41:43,234 I WAS YOUNGER, I WAS 17, 1915 00:41:43,234 --> 00:41:44,670 AND I DID A LITTLE VIDEO PLAYING 1916 00:41:44,670 --> 00:41:45,436 WITH MY KITTY CAT, BUT THAT 1917 00:41:45,436 --> 00:41:46,237 WAS IT. 1918 00:41:46,237 --> 00:41:47,773 AND WE ALL MAKE MISTAKES, AND 1919 00:41:47,773 --> 00:41:48,640 I AM ABLE TO MAKE A MISTAKE 1920 00:41:48,640 --> 00:41:49,307 WHEN I'M 17 YEARS OLD. 1921 00:41:49,307 --> 00:41:50,075 I DIDN'T HAVE ANY GUIDANCE, 1922 00:41:50,075 --> 00:41:51,009 AND I DID THAT, BUT IT WAS NOT 1923 00:41:51,009 --> 00:41:53,011 A PORN TAPE. 1924 00:41:55,013 --> 00:41:55,747 BENZINO SAID THAT HE HAD 1925 00:41:55,747 --> 00:41:56,882 NEVER SHOWN YOU THE VIDEO. 1926 00:41:56,882 --> 00:41:58,149 AND I WANT TO TELL YOU. 1927 00:41:58,149 --> 00:41:59,651 I DON'T HAVE--I DON'T HAVE 1928 00:41:59,651 --> 00:42:00,819 A PORN VIDEO, 'CAUSE I'VE 1929 00:42:00,819 --> 00:42:01,587 NEVER GOT-- 1930 00:42:01,587 --> 00:42:02,788 EVERYBODY KNOW I WAS A STRIPPER, 1931 00:42:02,788 --> 00:42:03,755 BUT I NEVER GOT TO THE POINT 1932 00:42:03,755 --> 00:42:04,890 TO DO PORN. 1933 00:42:04,890 --> 00:42:06,625 I DO PORN ONLY FOR ONE PERSON, 1934 00:42:06,625 --> 00:42:07,926 AND THAT WOULD BE STEVIE. 1935 00:42:07,926 --> 00:42:09,394 THANK YOU FOR SHARING. 1936 00:42:09,394 --> 00:42:10,596 BUT I HAD--IT WASN'T A PORN 1937 00:42:10,596 --> 00:42:11,797 TAPE, SO LET'S GET THAT CLEAR, 1938 00:42:11,797 --> 00:42:12,898 EVERYBODY, OKAY? 1939 00:42:12,898 --> 00:42:14,432 I WAS YOUNGER, I WAS 17, 1940 00:42:14,432 --> 00:42:15,867 AND I DID A LITTLE VIDEO PLAYING 1941 00:42:15,867 --> 00:42:16,635 WITH MY KITTY CAT, BUT THAT 1942 00:42:16,635 --> 00:42:17,435 WAS IT. 1943 00:42:17,435 --> 00:42:18,970 AND WE ALL MAKE MISTAKES, AND 1944 00:42:18,970 --> 00:42:19,838 I AM ABLE TO MAKE A MISTAKE 1945 00:42:19,838 --> 00:42:20,505 WHEN I'M 17 YEARS OLD. 1946 00:42:20,505 --> 00:42:21,272 I DIDN'T HAVE ANY GUIDANCE, 1947 00:42:21,272 --> 00:42:22,207 AND I DID THAT, BUT IT WAS NOT 1948 00:42:22,207 --> 00:42:24,209 A PORN TAPE.